| Amar Chitra Katha | |
|---|---|
| Publication information | |
| Publisher | Amar Chitra Katha Pvt. Ltd. |
| Publication date | 1967 |
| No. of issues | 1029 |
| Creative team | |
| Written by | Various |
| Artist(s) | Various |
| Authors | Anant Pai, Reena Ityah Puri (a Tamilian writer) |
|---|
Amar Chitra Katha (ACK, 'Immortal Picture Stories') is one of India's largest selling comic book series, with more than 100 million copies sold in 20 Indian languages.[1] Founded in 1967, the imprint has more than 400 titles that retell stories from the great Indian epics, mythology, history, folklore, and fables in a comic book format. It was created by Anant Pai, and published by India Book House. In 2007, the imprint and all its titles were acquired by a new venture called ACK Media. On 17 September 2008, a new website by ACK-media was launched.[2][3]
The comic series was started by Anant Pai in an attempt to teach Indian children about their cultural heritage. He was shocked that Indian students could answer questions on Greek and Roman mythology, but were ignorant of their own history, mythology and folklore. It so happened that a quiz contest aired on Doordarshan in February 1967, in which participants could easily answer questions pertaining to Greek mythology, but were unable to reply to the question 'In the Ramayana, who was Rama's mother?'.[4][5]
The above is an oft-told story of how ACK was founded beginning with 'Uncle Pai', in Mumbai in 1967. However, Outlook Magazine has this article about the genesis of this popular comic series: The idea and proposal for Amar Chitra Katha was made by a Bangalore book salesman called G.K. Ananthram which led to the first Amar Chitra Katha comics being produced in 1965—in Kannada, not English. 'The English ACK titles begin from number eleven because the first ten were in Kannada,' clarifies Ananthram. To Anathram's satisfaction, the 1965 Kannada ACK venture was a great commercial success which led to Mirchandani in the head office in Mumbai pursuing the Amar Chitra Katha idea in English diligently. 'They brought in Anant Pai' says Ananthram. 'And he built a wonderful team and a great brand.'[6]
Writers like Kamala Chandrakant, Margie Sastry, Subba Rao, Debrani Mitra and C.R Sharma joined the creative team of Amar Chitra Katha, with Anant Pai taking on the role of editor and co-writer on most scripts. The notable illustrators were Ram Waeerkar, who illustrated the very first issue of Amar Chitra Katha, Krishna, Dilip Kadam, C. M. Vitankar, Sanjeev Waeerkar, Souren Roy, C.D Rane, Ashok Dongre, V.B. Halbe, Jeffrey Fowler, Pratap Mullick and Yusuf Lien aka Yusuf Bangalorewala.[7]
The original printings of Amar Chitra were not in full colour—because of budgetary constraints, the panels were printed using yellow, blue and green. Subsequent issues, however, changed to full colour. All Amar Chitra Katha books stuck to a monthly (later fortnightly) 30-page format, with emphasis on lucid, entertaining storylines. In addition to the 'singles' form, at the stories are also available as hardcover 3-in-1 and 5-in-1 bundles. There are special editions of the epics like the Mahabharata which is available in a 3 volume 1300+ pages set.
Occasionally there were 'bumper' issues with 90 pages, most collecting stories of a similar type from individual issues (e.g. Monkey Stories From The Hitopadesha, Tales of Birbal and some being longer stories The Story of Rama). As the epic stories became more popular, the team began to publish stories based on Indian history, of men and women belonging to different regions and religions and also on stories based on Sanskrit as well as regional classics. The continuous popularity of the comics led to reprints being issued frequently, which ensured that the back-issues remained in print throughout the seventies and the eighties. At the height of its popularity, in the mid-eighties, it had been translated into Bengali, Marathi, Assamese, Gujarati, Punjabi, Sanskrit, Telugu, Tamil and Urdu and selling half a million copies a month. Some titles were also translated into French, Spanish, German, Swahili, Fijian, Indonesian, and Serbo-Croat.
Towards the mid-nineties, the original comics were reprinted in sleeker and more durable editions, with thick cardstock covers and better colour separations. Today, Amar Chitra Katha has a national footprint across all major book retailers, hundreds of small bookstores, and tens of thousands of vendors. It is the best-selling children's publication in most large format stores.
In 2007, the publisher created a new online store that offers all the titles with shipping worldwide. The titles are divided in following categories
Amar Chitra Katha has evolved over times. It launched in the first generation of IOS Appstore in 2009 by iRemedi Corp on ETHERMEDIA reader; followed by a launch in the iBookStore in 2010. It has since forayed into the digital world by launching its official digital store app across platforms – Windows 8, iOS and Android. Dubbed as ACK Comics, the store offers more than 300 titles. The free app gives readers access to Amar Chitra Katha comics, ranging from its archive but also including the latest books that Amar Chitra Katha publishes, with both free and paid comics. The digital comics can be read in the app in flip-book mode as well as panel-by-panel mode, which is convenient for smaller devices. Users can download and read their comics on multiple devices using a single user account.
The ACK store app has been developed by App9 Digital Studio, the digital division of Ninestars Information Technologies Pvt. Ltd.[8][9]
According to feminst book critic Nilanjana Roy, the Amar Chitra Katha series reflects 'the stereotypes and prejudices of modern mainstream Indian culture; pink-skinned, fair heroes and heroines, dark asuras and villains, passive women drawn as in Indian calendar art from the male perspective'.[10] However, alongside these portrayals of light-browns, dark-brown skinned heroes like Ram, Krishna are among the most prominent titles covered in Amar Chitra Katha. Also, dark skinned servants and subservient women have been swapped for a more neutral skin tone and women who are active influencers in the stories like Ahilyabai Holkar.
Criticism of the Amar Chitra Katha comics has largely revolved around two central issues: the depiction of women and the portrayal of minorites, according to author Aruna Rao.[11] The creators have also been criticised for projecting the superiority of Brahminical or upper-caste Hindu culture over other viewpoints, presenting Indian caste hierarchies uncritically. However, Aruna Rao points out that India Book House responded to some of the criticism about the depiction of women and minorities, and attempted to make amends by adopting a broader perspective.[11]
The stories have often been criticised as distorted depictions of history, with characters being seen simplistically as 'good' and 'bad' – brave Hindu kings and Muslim 'outsiders', and so on.[12] The publisher has released an all new series focusing on personalities belonging from the Muslim community like Razia sultan, Bacha Khan, renowned ornithologist Salim Ali and more.[13][14] Also, the aim is often to create a hagiography and a lesson in character-building at the expense of authenticity and historical truth.[15] Another criticism is that comic books, by their very nature, do not reflect the richness and complexity of the oral tradition of Indian mythology in which multiple versions of a story can co-exist simultaneously.[16] The editors are now paying due effort in understanding different version of the mythological stories and accommodating them into regional language versions too. The new editions have been released featuring regional folktales and local heroes reflecting regional diversity of the country like Lachit Borphukan, the Assamese leader who fought the Mughals. The editors have tried to pay close attention to the changing sensitivities of the people and trying to accommodate the diversity of story telling by giving equal importance to regional versions and accommodating them in regional language version.[13][14]
In Anurag Kashyap's controversial Hindi film Gulaal, an anti-casteist character Rananjay Singh Ransa expresses his disillusionment with his Rajput roots by saying that: 'मैं अमर चित्र कथा में नहीं जीना चाहता !' – I don't want to spend my life in Amar Chitra Katha.
The following films were produced by Amar Chitra Katha under ACK Animation Studios banner
| Year | Film | Director | Notes |
|---|---|---|---|
| 2011 | Tripura – The Three Cities of Maya | Chetan Sharma | TV Movie Co-produced with Animagic |
| 2012 | Sons of Ram | Kushal Ruia | Co-produced with Maya Digital Studios and Cartoon Network India |
| Amar Chitra Katha | |
|---|---|
| Publication information | |
| Publisher | Amar Chitra Katha Pvt. Ltd. |
| Publication date | 1967 |
| No. of issues | 1029 |
| Creative team | |
| Written by | Various |
| Artist(s) | Various |
| Authors | Anant Pai, Reena Ityah Puri (a Tamilian writer) |
|---|
Amar Chitra Katha (ACK, 'Immortal Picture Stories') is one of India's largest selling comic book series, with more than 100 million copies sold in 20 Indian languages.[1] Founded in 1967, the imprint has more than 400 titles that retell stories from the great Indian epics, mythology, history, folklore, and fables in a comic book format. It was created by Anant Pai, and published by India Book House. In 2007, the imprint and all its titles were acquired by a new venture called ACK Media. On 17 September 2008, a new website by ACK-media was launched.[2][3]
The comic series was started by Anant Pai in an attempt to teach Indian children about their cultural heritage. He was shocked that Indian students could answer questions on Greek and Roman mythology, but were ignorant of their own history, mythology and folklore. It so happened that a quiz contest aired on Doordarshan in February 1967, in which participants could easily answer questions pertaining to Greek mythology, but were unable to reply to the question 'In the Ramayana, who was Rama's mother?'.[4][5]
The above is an oft-told story of how ACK was founded beginning with 'Uncle Pai', in Mumbai in 1967. However, Outlook Magazine has this article about the genesis of this popular comic series: The idea and proposal for Amar Chitra Katha was made by a Bangalore book salesman called G.K. Ananthram which led to the first Amar Chitra Katha comics being produced in 1965—in Kannada, not English. 'The English ACK titles begin from number eleven because the first ten were in Kannada,' clarifies Ananthram. To Anathram's satisfaction, the 1965 Kannada ACK venture was a great commercial success which led to Mirchandani in the head office in Mumbai pursuing the Amar Chitra Katha idea in English diligently. 'They brought in Anant Pai' says Ananthram. 'And he built a wonderful team and a great brand.'[6]
Writers like Kamala Chandrakant, Margie Sastry, Subba Rao, Debrani Mitra and C.R Sharma joined the creative team of Amar Chitra Katha, with Anant Pai taking on the role of editor and co-writer on most scripts. The notable illustrators were Ram Waeerkar, who illustrated the very first issue of Amar Chitra Katha, Krishna, Dilip Kadam, C. M. Vitankar, Sanjeev Waeerkar, Souren Roy, C.D Rane, Ashok Dongre, V.B. Halbe, Jeffrey Fowler, Pratap Mullick and Yusuf Lien aka Yusuf Bangalorewala.[7]
The original printings of Amar Chitra were not in full colour—because of budgetary constraints, the panels were printed using yellow, blue and green. Subsequent issues, however, changed to full colour. All Amar Chitra Katha books stuck to a monthly (later fortnightly) 30-page format, with emphasis on lucid, entertaining storylines. In addition to the 'singles' form, at the stories are also available as hardcover 3-in-1 and 5-in-1 bundles. There are special editions of the epics like the Mahabharata which is available in a 3 volume 1300+ pages set.
Occasionally there were 'bumper' issues with 90 pages, most collecting stories of a similar type from individual issues (e.g. Monkey Stories From The Hitopadesha, Tales of Birbal and some being longer stories The Story of Rama). As the epic stories became more popular, the team began to publish stories based on Indian history, of men and women belonging to different regions and religions and also on stories based on Sanskrit as well as regional classics. The continuous popularity of the comics led to reprints being issued frequently, which ensured that the back-issues remained in print throughout the seventies and the eighties. At the height of its popularity, in the mid-eighties, it had been translated into Bengali, Marathi, Assamese, Gujarati, Punjabi, Sanskrit, Telugu, Tamil and Urdu and selling half a million copies a month. Some titles were also translated into French, Spanish, German, Swahili, Fijian, Indonesian, and Serbo-Croat.
Towards the mid-nineties, the original comics were reprinted in sleeker and more durable editions, with thick cardstock covers and better colour separations. Today, Amar Chitra Katha has a national footprint across all major book retailers, hundreds of small bookstores, and tens of thousands of vendors. It is the best-selling children's publication in most large format stores.
In 2007, the publisher created a new online store that offers all the titles with shipping worldwide. The titles are divided in following categories
Amar Chitra Katha has evolved over times. It launched in the first generation of IOS Appstore in 2009 by iRemedi Corp on ETHERMEDIA reader; followed by a launch in the iBookStore in 2010. It has since forayed into the digital world by launching its official digital store app across platforms – Windows 8, iOS and Android. Dubbed as ACK Comics, the store offers more than 300 titles. The free app gives readers access to Amar Chitra Katha comics, ranging from its archive but also including the latest books that Amar Chitra Katha publishes, with both free and paid comics. The digital comics can be read in the app in flip-book mode as well as panel-by-panel mode, which is convenient for smaller devices. Users can download and read their comics on multiple devices using a single user account.
The ACK store app has been developed by App9 Digital Studio, the digital division of Ninestars Information Technologies Pvt. Ltd.[8][9]
According to feminst book critic Nilanjana Roy, the Amar Chitra Katha series reflects 'the stereotypes and prejudices of modern mainstream Indian culture; pink-skinned, fair heroes and heroines, dark asuras and villains, passive women drawn as in Indian calendar art from the male perspective'.[10] However, alongside these portrayals of light-browns, dark-brown skinned heroes like Ram, Krishna are among the most prominent titles covered in Amar Chitra Katha. Also, dark skinned servants and subservient women have been swapped for a more neutral skin tone and women who are active influencers in the stories like Ahilyabai Holkar.
Criticism of the Amar Chitra Katha comics has largely revolved around two central issues: the depiction of women and the portrayal of minorites, according to author Aruna Rao.[11] The creators have also been criticised for projecting the superiority of Brahminical or upper-caste Hindu culture over other viewpoints, presenting Indian caste hierarchies uncritically. However, Aruna Rao points out that India Book House responded to some of the criticism about the depiction of women and minorities, and attempted to make amends by adopting a broader perspective.[11]
The stories have often been criticised as distorted depictions of history, with characters being seen simplistically as 'good' and 'bad' – brave Hindu kings and Muslim 'outsiders', and so on.[12] The publisher has released an all new series focusing on personalities belonging from the Muslim community like Razia sultan, Bacha Khan, renowned ornithologist Salim Ali and more.[13][14] Also, the aim is often to create a hagiography and a lesson in character-building at the expense of authenticity and historical truth.[15] Another criticism is that comic books, by their very nature, do not reflect the richness and complexity of the oral tradition of Indian mythology in which multiple versions of a story can co-exist simultaneously.[16] The editors are now paying due effort in understanding different version of the mythological stories and accommodating them into regional language versions too. The new editions have been released featuring regional folktales and local heroes reflecting regional diversity of the country like Lachit Borphukan, the Assamese leader who fought the Mughals. The editors have tried to pay close attention to the changing sensitivities of the people and trying to accommodate the diversity of story telling by giving equal importance to regional versions and accommodating them in regional language version.[13][14]
In Anurag Kashyap's controversial Hindi film Gulaal, an anti-casteist character Rananjay Singh Ransa expresses his disillusionment with his Rajput roots by saying that: 'मैं अमर चित्र कथा में नहीं जीना चाहता !' – I don't want to spend my life in Amar Chitra Katha.
The following films were produced by Amar Chitra Katha under ACK Animation Studios banner
| Year | Film | Director | Notes |
|---|---|---|---|
| 2011 | Tripura – The Three Cities of Maya | Chetan Sharma | TV Movie Co-produced with Animagic |
| 2012 | Sons of Ram | Kushal Ruia | Co-produced with Maya Digital Studios and Cartoon Network India |