| David Yates |
| Steve Kloves | .. | (screenplay) |
| J.K. Rowling | .. | (novel) |
| Ralph Fiennes | .. | Lord Voldemort | |
| Michael Gambon | .. | Professor Albus Dumbledore | |
| Alan Rickman | .. | Professor Severus Snape | |
| Daniel Radcliffe | .. | Harry Potter | |
| Rupert Grint | .. | Ron Weasley | |
| Emma Watson | .. | Hermione Granger | |
| Evanna Lynch | .. | Luna Lovegood | |
| Domhnall Gleeson | .. | Bill Weasley | |
| Clémence Poésy | .. | Fleur Delacour | |
| Warwick Davis | .. | Griphook / Professor Filius Flitwick | |
| John Hurt | .. | Ollivander | |
| Helena Bonham Carter | .. | Bellatrix Lestrange | |
| Graham Duff | .. | Death Eater | |
| Anthony Allgood | .. | Gringotts' Guard | |
| Rusty Goffe | .. | Aged Gringotts' Goblin | |
| Jon Key | .. | Bogrod | |
| Kelly Macdonald | .. | Helena Ravenclaw | |
| Jason Isaacs | .. | Lucius Malfoy | |
| Helen McCrory | .. | Narcissa Malfoy | |
| Tom Felton | .. | Draco Malfoy | |
| Ian Peck | .. | Hogsmeade Death Eater | |
| Benn Northover | .. | Hogsmeade Death Eater (as Benjamin Northover) | |
| Ciarán Hinds | .. | Aberforth Dumbledore | |
| Hebe Beardsall | .. | Ariana Dumbledore | |
| Matthew Lewis | .. | Neville Longbottom | |
| Devon Murray | .. | Seamus Finnigan | |
| Jessie Cave | .. | Lavender Brown | |
| Afshan Azad | .. | Padma Patil | |
| Isabella Laughland | .. | Leanne | |
| Anna Shaffer | .. | Romilda Vane | |
| Georgina Leonidas | .. | Katie Bell | |
| Freddie Stroma | .. | Cormac McLaggen | |
| Alfred Enoch | .. | Dean Thomas (as Alfie Enoch) | |
| Katie Leung | .. | Cho Chang | |
| William Melling | .. | Nigel | |
| Sian Grace Phillips | .. | Screaming Girl | |
| Bonnie Wright | .. | Ginny Weasley | |
| Ralph Ineson | .. | Amycus Carrow | |
| Suzanne Toase | .. | Alecto Carrow | |
| Maggie Smith | .. | Professor Minerva McGonagall | |
| Jim Broadbent | .. | Professor Horace Slughorn | |
| Scarlett Byrne | .. | Pansy Parkinson | |
| Josh Herdman | .. | Gregory Goyle | |
| Louis Cordice | .. | Blaise Zabini | |
| Amber Evans | .. | Twin Girl 1 | |
| Ruby Evans | .. | Twin Girl 2 | |
| Miriam Margolyes | .. | Professor Pomona Sprout | |
| Gemma Jones | .. | Madam Pomfrey | |
| George Harris | .. | Kingsley Shacklebolt | |
| David Thewlis | .. | Remus Lupin | |
| Julie Walters | .. | Molly Weasley | |
| Mark Williams | .. | Arthur Weasley | |
| James Phelps | .. | Fred Weasley | |
| Oliver Phelps | .. | George Weasley | |
| Chris Rankin | .. | Percy Weasley | |
| David Bradley | .. | Argus Filch | |
| Guy Henry | .. | Pius Thicknesse | |
| Nick Moran | .. | Scabior | |
| Natalia Tena | .. | Nymphadora Tonks | |
| Phil Wright | .. | Giant | |
| Garry Sayer | .. | Giant | |
| Tony Adkins | .. | Giant | |
| Dave Legeno | .. | Fenrir Greyback | |
| Penelope McGhie | .. | Death Eater | |
| Emma Thompson | .. | Professor Sybil Trelawney | |
| Ellie Darcey-Alden | .. | Young Lily Potter | |
| Ariella Paradise | .. | Young Petunia Dursley | |
| Benedict Clarke | .. | Young Severus Snape | |
| Leslie Phillips | .. | The Sorting Hat (voice) | |
| Alfie McIlwain | .. | Young James Potter | |
| Rohan Gotobed | .. | Young Sirius Black | |
| Geraldine Somerville | .. | Lily Potter | |
| Adrian Rawlins | .. | James Potter | |
| Toby Papworth | .. | Baby Harry Potter | |
| Timothy Spall | .. | Wormtail | |
| Robbie Coltrane | .. | Rubeus Hagrid | |
| Gary Oldman | .. | Sirius Black | |
| Peter G. Reed | .. | Death Eater | |
| Judith Sharp | .. | Death Eater | |
| Emil Hostina | .. | Death Eater | |
| Bob Yves Van Hellenberg Hubar | .. | Death Eater | |
| Granville Saxton | .. | Death Eater | |
| Tony Kirwood | .. | Death Eater | |
| Ashley McGuire | .. | Death Eater | |
| Arthur Bowen | .. | Albus Severus Potter - 19 Years Later | |
| Daphne de Beistegui | .. | Lily Potter - 19 Years Later | |
| Will Dunn | .. | James Potter - 19 Years Later (as William Dunn) | |
| Jade Gordon | .. | Astoria Malfoy - 19 Years Later | |
| Bertie Gilbert | .. | Scorpius Malfoy - 19 Years Later | |
| Helena Barlow | .. | Rose Weasley - 19 Years Later | |
| Ryan Turner | .. | Hugo Weasley - 19 Years Later | |
| Rest of cast listed alphabetically: | |||
| Jon Campling | .. | Death Eater in Gringotts (scenes deleted) | |
| Karen Anderson | .. | Gringotts Goblin (uncredited) | |
| Michael Aston | .. | Wizard Parent (uncredited) | |
| Michael Henbury Ballan | .. | Gringotts Goblin (uncredited) | |
| Lauren Barrand | .. | Gringotts Goblin (uncredited) | |
| David Barron | .. | Wizard with Dog in Painting (uncredited) | |
| Josh Bennett | .. | Gringotts Goblin (uncredited) | |
| Johann Benét | .. | Deatheater (uncredited) | |
| Sean Biggerstaff | .. | Oliver Wood (uncredited) | |
| Jada Brevett | .. | Hogwarts Student (uncredited) | |
| Ben Champniss | .. | Parent (uncredited) | |
| Collet Collins | .. | Snatcher (uncredited) | |
| Christoph Cordell | .. | Snatcher (uncredited) | |
| Christian Coulson | .. | Tom Marvolo Riddle (archive footage) (uncredited) | |
| Gioacchino Jim Cuffaro | .. | Wizard Parent (uncredited) | |
| Valerie Dane | .. | Wizard Parent (uncredited) | |
| Paul Davies | .. | Deatheater (uncredited) | |
| Sarah-Jane De Crespigny | .. | Wizard Parent (uncredited) | |
| David Decio | .. | Chief Snatcher (uncredited) | |
| Ninette Finch | .. | Augusta Longbottom (uncredited) | |
| Nina Aimer Fox | .. | Wendy Slinkhard (uncredited) | |
| Grace Meurisse Francis | .. | Senior Gryffindor (uncredited) | |
| Sean Francis George | .. | Wizard Parent (uncredited) | |
| Rich Goble | .. | Death Eater (uncredited) | |
| Hattie Gotobed | .. | Young Girl in Epilogue (uncredited) | |
| Melissa Gotobed | .. | Hogwart's First Year Epilogue (uncredited) | |
| Natalie Harrison | .. | Gryffindor Student (uncredited) | |
| Ian Hart | .. | Professor Quirinus Quirrell (archive footage) (uncredited) | |
| Robin Harvey | .. | Hogwarts Student (uncredited) | |
| Stephen Hawke | .. | Wedding Guest (The Weasley's) (uncredited) | |
| David Heyman | .. | Dining Wizard in Painting (uncredited) | |
| Harper Heyman | .. | Baby of Dining Wizard Family in Portrait (uncredited) | |
| Matthew Hodgkin | .. | Hogwarts Student (uncredited) | |
| Steven Hopwood | .. | One-Legged Wizard (uncredited) | |
| Joe Kallis | .. | Death Eater (uncredited) | |
| Gemma Kayla | .. | Ravenclaw Senior (uncredited) | |
| Hrvoje Klecz | .. | Death Eater (uncredited) | |
| Maxwell Laird | .. | Gringotts Goblin (uncredited) | |
| Debra Leigh-Taylor | .. | Wizard Teacher (uncredited) | |
| Christina Low | .. | Ravenclaw Student (uncredited) | |
| Sarah Lowe | .. | Ministry Wizard (uncredited) | |
| Jonathan Massahi | .. | Hogwarts Student (uncredited) | |
| Tony Montalbano | .. | Passenger (uncredited) | |
| Sha'ori Morris | .. | Slytherin Girl (uncredited) | |
| Luke Newberry | .. | Teddy Lupin (uncredited) | |
| Lisa Osmond | .. | Gringotts Goblin (uncredited) | |
| Elisabeth Roberts | .. | Death Eater (uncredited) | |
| Keijo Salmela | .. | Gringotts Goblin (uncredited) | |
| Mark Sealey | .. | Gringotts Goblin (uncredited) | |
| Arti Shah | .. | Gringotts Goblin (uncredited) | |
| Glen Stanway | .. | Death Eater (uncredited) | |
| Albert Tang | .. | Hogwarts Teacher (uncredited) | |
| Richard Trinder | .. | Augustus Rookwood (uncredited) | |
| Nick Turner | .. | Death Eater (uncredited) | |
| Aaron Virdee | .. | Gryffindor Senior (uncredited) | |
| John Warman | .. | Railway Station Porter (uncredited) | |
| Spencer Wilding | .. | Knight of Hogwarts (uncredited) | |
| Amy Wiles | .. | Slytherin Student (uncredited) | |
| Thomas Williamson | .. | Hogwarts Student (uncredited) | |
| David Barron | .. | producer |
| Debbi Bossi | .. | 3D producer |
| Roy Button | .. | associate producer |
| David Heyman | .. | producer |
| Tim Lewis | .. | co-producer |
| J.K. Rowling | .. | producer |
| John Trehy | .. | co-producer |
| Lionel Wigram | .. | executive producer |
| Alexandre Desplat |
| Eduardo Serra | .. | director of photography |
| Mark Day |
| Fiona Weir |
| Stuart Craig |
| Andrew Ackland-Snow | .. | senior art director |
| Mark Bartholomew | ||
| Alastair Bullock | .. | (as Al Bullock) |
| Peter Dorme | ||
| Martin Foley | ||
| Kate Grimble | ||
| Nicholas Henderson | ||
| Christian Huband | ||
| Molly Hughes | ||
| Neil Lamont | .. | supervising art director |
| Hattie Storey | ||
| Gary Tomkins | ||
| Ashley Winter |
| Stephenie McMillan |
| Jany Temime |
| Natalie Abizadeh | .. | prosthetic trainee |
| Francesco Alberico | .. | hairdresser |
| Jessica Alexander | .. | crowd makeup trainee: daily |
| Sarita Allison | .. | prosthetic make up artist |
| Tamar Aviv | .. | prosthetic makeup artist |
| Elle Baird | .. | special makeup effects trainee |
| Victoria Bancroft | .. | prosthetic makeup artist |
| Nikki Belding | .. | additional special makeup effects trainee |
| Ricci-Lee Berry | .. | prosthetic make up artist (as Ricki-Lee Berry) |
| Brian Best | .. | additional makeup effects artist |
| Emma Brassfield | .. | fabricator (as Emma Toft) |
| Jessica Brooks | .. | special makeup effects assistant |
| Phoebe Brown | .. | special makeup effects runner |
| Amanda Burns | .. | makeup artist |
| Amy Byrne | .. | makeup artist |
| Tilly Calder | .. | makeup artist |
| Anita Casali | .. | hairdresser |
| Louise Coles | .. | makeup dailies |
| Mark Coulier | .. | prosthetic makeup supervisor |
| Pollyanna Coxon-Smith | .. | hairdresser trainee: additional elements unit (as Polly-Anna Coxon-Smith) |
| Francesca Crowder | .. | hairdresser |
| Louise Day | .. | fabricator |
| Elisabetta De Leonardis | .. | hairdresser |
| Gemma De Vecchi | .. | fabricator |
| Nathaniel De'Lineadeus | .. | dental FX design and manufacture |
| Tanya Dennis | .. | make up trainee |
| Sarah Downes | .. | makeup artist |
| Jenna Roseanne Drew | .. | assistant special makeup effects artist (as Jenna Wyatt) |
| Nick Dudman | .. | special makeup effects |
| Hannah Edwards | .. | hair stylist: daily |
| Amy Elliot | .. | makeup dailies |
| Emma Faulkes | .. | prosthetic makeup artist (as Emma Sheffield) |
| Rita Fekete | .. | additional prosthetics |
| Darlene Forrester | .. | hairdresser |
| Katy Fray | .. | supervising prosthetic makeup artist |
| Dan Frye | .. | mould-maker: make-up effects |
| Charmaine Fuller | .. | makeup artist |
| Thea Fuller | .. | fabrication trainee |
| Faye Garland | .. | makeup artist |
| Richard Glass | .. | contact lens optician |
| Pamela Goldammer | .. | prosthetic makeup artist |
| Barrie Gower | .. | special makeup effects artist |
| Claire Green | .. | mould maker / special makeup effects artist |
| Jo Grover | .. | additional special effects makeup |
| Aline Hafezi | .. | prosthetics |
| Hilary Haines | .. | hairdresser |
| Jenny Harling | .. | hairdresser |
| Shaune Harrison | .. | prosthetic sculptor |
| Fay Hatzius | .. | prosthetic make up artist and art finisher |
| Charlotte Hayward | .. | personal hair stylist and makeup artist for Emma Watson |
| Jennifer Hegarty | .. | makeup artist: second unit |
| Catherine Heys | .. | hairdresser: second unit |
| Belinda Hodson | .. | makeup artist |
| Victoria Holt | .. | prosthetic makeup assistannt |
| Kati Hood | .. | key art finisher |
| Jill Hornby | .. | makeup: dailies |
| Stephanie Hovette | .. | wigmaking |
| Selen Hurer | .. | art finisher |
| Beth Hyland | .. | prosthetic makeup trainee (as Beth John) |
| Giacomo Iovino | .. | supervising mould maker |
| Duncan Jarman | .. | key prosthetic makeup artist |
| Amanda Knight | .. | makeup designer |
| Sophia Knight | .. | hair stylist: crowd |
| John Lambert | .. | makeup effects buyer |
| Agnes Legere | .. | junior makeup artist |
| Elizabeth Lewis | .. | makeup artist |
| Ken Lintott | .. | makeup artist |
| Jane Logan | .. | daily hair stylist |
| Göran Lundström | .. | special makeup effects artist |
| Chris Lyons | .. | dental prosthetics |
| Kristyan Mallett | .. | prosthetic sculptor |
| Nadine Mann | .. | hairdresser |
| Raj Mariathason | .. | special makeup effects lab technician |
| Waldo Mason | .. | special makeup effects artist |
| Claire Matthews | .. | makeup artist: dailies |
| Esteban Mendoza | .. | special makeup effects artist |
| Tina Jane Moore | .. | creature effects trainee |
| Stephen Murphy | .. | key prosthetics makeup artist |
| Chloe Muton-Phillips | .. | trainee special make-up effects |
| Jessica Needham | .. | makeup artist |
| Sharon Nicholas | .. | makeup artist |
| Barney Nikolic | .. | special makeup effects artist |
| Matthew O'Toole | .. | prosthetics make up artist |
| Sunita Parmar | .. | prosthetic makeup artist |
| Katie Pattenden | .. | hair trainee |
| Lisa Pemberton | .. | prosthetics trainee |
| Liz Phillips | .. | crowd makeup |
| Gemma Richardson | .. | prosthetic makeup artist |
| Adrian Rigby | .. | makeup artist: crowd / prosthetic makeup artist |
| Amy Rogers | .. | prosthetic modeller |
| Charlotte Rogers | .. | makeup artist: daily |
| Stephen Rose | .. | hairdresser |
| Alex Rouse | .. | wigmaker |
| Helen Rowe | .. | silicone technician supervisor |
| Jutta Russell | .. | prosthetic make up artist |
| Jemma Scott-Knox-Gore | .. | contact lens technician (as Jemma Scott) |
| Emma J. Slater | .. | silicone technician (as Emma Slater) |
| Sophie Slotover | .. | hairstylist: crowd dailee |
| Tracy Smith | .. | hairdresser (as Tracey Smith) |
| Kristie Southcott | .. | creature effects trainee |
| Rachael Speke | .. | hair dailies |
| Nadia Stacey | .. | hair daily |
| Lisa Tomblin | .. | hair designer |
| Annie Townsend | .. | hairdresser (as Ann Townsend) |
| Luca Vannella | .. | hairdresser |
| Lauge Voigt | .. | special makeup effects artist |
| Jade Watkins | .. | makeup trainee: second unit |
| Eloise Waymouth | .. | prosthetic makeup artist (as Eloise Anson) |
| Sarah Weatherburn | .. | wig maker |
| Josh Weston | .. | special makeup effects artist |
| Julia Wilson | .. | makeup artist |
| Pippa Woods | .. | additional special makeup effects trainee |
| Evie Wray | .. | creatures art and finishing |
| Wakana Yoshihara | .. | daily makeup artist |
| Sylvia Atkins | .. | additional special makeup effects trainee (uncredited) |
| Nikita Rae | .. | make up artist: crowd (uncredited) |
| Julie Wright | .. | prosthetics hair artist (uncredited) |
| Bill Daly | .. | post production executive |
| Simon Emanuel | .. | production manager |
| Monica Hada | .. | post-production manager |
| Tim Lewis | .. | unit production manager |
| Russell Lodge | .. | production manager: second unit |
| Olivia Lyne | .. | production manager |
| Patrick Murphy | .. | executive in charge of stereoscopic services: illuminate |
| Katie Reynolds | .. | post-production supervisor |
| Tom Browne | .. | additional third assistant director |
| Rob Burgess | .. | additional second assistant director |
| Glen Carroll | .. | additional assistant director: dailies |
| Jamie Christopher | .. | first assistant director |
| Arabella Constance-Churcher | .. | assistant director |
| Ben Dixon | .. | second assistant director: additional photography |
| Rachael Fullerton | .. | third assistant director (as Rachael Tottingham) |
| Dominic Fysh | .. | first assistant director: second unit |
| Stewart Hamilton | .. | second assistant director: floor |
| Nick Heckstall-Smith | .. | first assistant director: additional photography |
| Chaz Johnson | .. | trainee assistant director |
| Ray Kenny | .. | third assistant director: additional photography |
| Andy Madden | .. | crowd third assistant director |
| Ali Morris | .. | second assistant director |
| James Parry | .. | assistant director runner |
| David Pearce | .. | assistant director: second unit |
| Jane Ryan | .. | second assistant director |
| Matthew Sharp | .. | key second assistant director |
| Amy Stares | .. | base third assistant director |
| Vaughn Stein | .. | third assistant director: dailies |
| Emma Stokes | .. | second assistant director: second unit |
| Greg Tynan | .. | trainee assistant director |
| Stephen Woolfenden | .. | second unit director |
| Eileen Yip | .. | third assistant director |
| Sophie Allen | .. | junior modeller |
| Christopher Arnold | .. | props |
| Martin Asbury | .. | storyboard artist |
| Thomas Ball | .. | assistant graphics |
| François Baranger | .. | concept artist |
| Pierre Bohanna | .. | supervising modeller: hod |
| Alex Bowens | .. | art department assistant |
| Adam Brockbank | .. | conceptual artist |
| Martin Brown | .. | standby stagehand |
| Mark Buck | .. | plasterer |
| Laurence Burns | .. | construction supervisor |
| Jack Candy-Kemp | .. | assistant scenic artist |
| Paul Catling | .. | conceptual artist |
| Andy Challis | .. | stand-by rigger |
| Paul Cheesman | .. | prop storeman |
| Dean Coldham | .. | plasterer |
| Deano Harry Coldham | .. | apprentice plasterer |
| Kelvin Cook | .. | dressing props |
| Matt Cooke | .. | props |
| Jim Cornish | .. | storyboard artist |
| Sarah Elizabeth Daily | .. | props work experience |
| Amanda Dazely | .. | draughtsman (as Amanda Leggatt) |
| Julia Dehoff | .. | draughtsman |
| Peter Dorme | .. | assistant art director |
| Sally Dray | .. | portrait artist |
| Jack Dudman | .. | art department assistant |
| Neil Ellis | .. | junior propmaker |
| Jordana Finkel | .. | junior draughtsman |
| Stephen Forrest-Smith | .. | storyboard artist (as Stephen Forrest Smith) |
| Lydia Fry | .. | art department assistant |
| Philippe Gaulier | .. | concept artist: Double Negative VFX |
| Ida Bo Geisler | .. | manufacturing prop |
| Liam Georgensen | .. | art department assistant |
| Emilio Gonzalez | .. | drapesmaster (as Emilio Gonzalez Montes) |
| Rosie Goodwin | .. | set decorator |
| Daniel Handley | .. | drapesmaster (as Dan Handley) |
| Gary Handley | .. | drapesmaster |
| Toby Hawkes | .. | prop modeller |
| Paul J. Hayes | .. | construction manager (as Paul Hayes) |
| Victoria Hayes | .. | prop modeller |
| Paul Hearn | .. | props |
| Terry Heggarty | .. | stand by painter |
| Nicholas Henderson | .. | art director: digital sets |
| David Hodges | .. | sculptor |
| Andrew Hodgson | .. | props (as Andrew Eric Hodgson) |
| Clive Ingleton | .. | decor and lettering artist |
| Jodie Jackman | .. | art department coordinator |
| Nicky Kaill | .. | scenic artist |
| Matthew Kerly | .. | stand-by art director: reshoot |
| Ashley Lamont | .. | junior draughtsman |
| Samuel Leake | .. | prop modeller (as Sam Leake) |
| Eduardo Lima | .. | graphic designer |
| Gerald Linnane | .. | carpenter |
| Katie Lodge | .. | prop modeller |
| Catriona Maccann | .. | prop maker |
| Joanna Maeva | .. | carpenter |
| Peter Mann | .. | stand-by carpenter |
| Zoe Marsden | .. | key art finisher |
| Christian McDonald | .. | props |
| Peter McKinstry | .. | conceptual artist |
| Lucinda McLean | .. | greenery |
| Duncan McNeil | .. | carpenter |
| Ossie Merchant | .. | props |
| Sonny Merchant | .. | stand-by props: second unit |
| Stuart Meridew | .. | prop manufacturing buyer |
| David Merryweather | .. | modeller |
| Eva Miller | .. | art finisher |
| Micky Mills | .. | chargehand prop |
| Miraphora Mina | .. | props concept artist |
| Joe Monks | .. | supervisor painter |
| Martin Moran | .. | construction supervisor |
| Steven Morris | .. | dressing props |
| Ian Murray | .. | rigger (as Ian Vincent Murray) |
| Sophie Neil | .. | art department model maker |
| Andrew Palmer | .. | draughtsman |
| Amanda Pettett | .. | construction coordinator |
| Andrew Proctor | .. | junior draughtsman |
| Carla Rennie-Nash | .. | art department assistant |
| Oliver Roberts | .. | on set art director |
| Elicia Scales | .. | archivist |
| Adam Shepherdly | .. | carpenter |
| Christian Short | .. | chargehand propman |
| Ryan Sinnott | .. | standby carpenter |
| Alex Smith | .. | draughtsman |
| Molly Sole | .. | draughtsman / junior draughtsman |
| William Stickley | .. | construction supervisor |
| Lucinda Sturgis | .. | production buyer |
| Lottie Sveaas | .. | junior draughtsman |
| Stephen Swain | .. | on set art director |
| Ed Symon | .. | junior draughtsman |
| Griff Tapper | .. | carpenter |
| Craig Tarry | .. | props |
| Gregor Telfer | .. | props |
| Jason Torbett | .. | standby propman |
| Emma Vane | .. | draughtsman |
| Ketan Waikar | .. | junior draughtsman |
| Lauren Wakefield | .. | graphic designer |
| Matt Walker | .. | scenic artist |
| Jake Wells | .. | dressing props |
| David Wescott | .. | assistant construction manager |
| Paul Wescott | .. | hod scenic painter |
| Jamie White | .. | carpenter |
| Barry Wilkinson | .. | property master |
| Ben Wilkinson | .. | assistant property master |
| Buddie Wilkinson | .. | propman |
| Harley Wilkinson | .. | 2nd year apprentice carpenter |
| Simon Wilkinson | .. | supervising chargehand stand-by propman |
| Marcus Williams | .. | head scenic artist |
| Paul Williams | .. | carpenter |
| Paul Williams | .. | carpenter |
| Andrew Williamson | .. | conceptual artist |
| Ashley Winter | .. | assistant art director |
| Dorrie Young | .. | junior draughtsman |
| Yasmin Alvarez | .. | junior modeller (uncredited) |
| Alexios Chrysikos | .. | art department assistant/work experience (uncredited) |
| Alexander Williams | .. | visual development: Cinesite (uncredited) |
| Dafydd Archard | .. | sound mix technician |
| Orin Beaton | .. | boom operator |
| Rachel Boot | .. | sound assistant |
| Peter Burgis | .. | foley artist |
| John Casali | .. | sound mixer: second unit |
| Nick Del-Molino | .. | mix technician |
| Andie Derrick | .. | foley artist (as Andi Derrick) |
| Simon Diggins | .. | adr recordist |
| Gary Dodkin | .. | boom operator: second unit |
| Mike Dowson | .. | re-recording mixer |
| Thomas Fennell | .. | second boom operator: dailies |
| Michael Fentum | .. | sound designer |
| Samir Foco | .. | sound effects editor |
| Glen Gathard | .. | foley mixer |
| Dominic Gibbs | .. | sound designer |
| Nick Gillett | .. | sound assistant: additional |
| Peter Gleaves | .. | adr mixer |
| Alistair Hawkins | .. | sound editor |
| Stuart Hilliker | .. | re-recording mixer |
| Leigh Humberdross | .. | foley editor |
| Rob Killick | .. | dialogue editor |
| Laurent Kossayan | .. | atmos mix supervising sound editor |
| Nick Kray | .. | adr mixer |
| Daniel Laurie | .. | adr supervisor |
| Jed Loughran | .. | sound effects editor |
| Richard Lovell | .. | sound mix assistant |
| Mitch Low | .. | sound maintenance engineer |
| James Mather | .. | supervising sound editor |
| Aurélien Mauro | .. | sound mix technician: french dubbing |
| Markus Moll | .. | sound mix technician |
| Chris Murphy | .. | boom operator: second unit |
| Luke O'Connell | .. | assistant sound editor |
| Jordan O'Neill | .. | datasat sound mastering engineer |
| Kevin Penney | .. | sound editor: temp mix |
| Becki Ponting | .. | crowd dialogue editor |
| Bjorn Ole Schroeder | .. | supervising dialogue editor |
| Adam Scrivener | .. | re-recording mixer |
| James Shannon | .. | dolby sound consultant |
| Lee Sharp | .. | epk boom operator / epk sound |
| Andy Stallabrass | .. | adr recordist |
| Vanesa Lorena Tate | .. | foley editor |
| Derek Trigg | .. | foley editor |
| Roland Voglaire | .. | additional sound |
| Stuart Wilson | .. | production sound mixer |
| Howard Bevan | .. | second boom operator: dailies (uncredited) |
| Michael Brigman | .. | audio conform (uncredited) |
| Jonathan Hardy | .. | sound trainee (uncredited) |
| Jerome McCann | .. | additional sound mixer: second unit (uncredited) |
| Sal Ojeda | .. | dubbing editor (uncredited) |
| Sreejesh | .. | version re-recording mixer (uncredited) |
| Jules Woods | .. | re-recording mixer: foreign language versions (uncredited) |
| Michael Ash | .. | stereo artist |
| Norman Baillie | .. | senior special effects technician |
| Helena Brackley | .. | special effects technician |
| Jonathan Bullock | .. | special effects senior technician |
| Trevor Butterfield | .. | special effects senior technician |
| Lucy Darkness | .. | special effects makeup intern |
| Andrew Ellinas | .. | special effects assistant |
| Ricky Farns | .. | floor supervisor: first unit |
| Nick Finlayson | .. | senior special effects technician |
| Luke Fisher | .. | sculptor |
| Mark Haddenham | .. | special effects senior technician |
| Steve Hamilton | .. | special effects supervisor |
| Matthew Harlow | .. | special effects technician |
| Simon Hewitt | .. | senior special effects technician |
| Charlie Hounslow | .. | silicone technician |
| Stephen Hutchinson | .. | special effects floor supervisor: second unit |
| Fisher Jack | .. | special effects |
| Ivan Manzella | .. | creature concept designer / sculpter / makeup artist |
| Doug McCarthy | .. | senior special effects technician |
| Noah Meddings | .. | special effects technician |
| Luke Murphy | .. | special effects senior technician |
| Ingrid Parkes | .. | art finisher |
| Ken Pearce | .. | facial motion capture |
| Alan Perez | .. | flying wire technician |
| Sam Perez | .. | special effects assistant |
| Savaliya Rahul | .. | special effects crew |
| Martin Rezard | .. | concept artist/sculptor |
| John Richardson | .. | special effects supervisor |
| Marcus Richardson | .. | senior special effects technician |
| Bryony Rumble | .. | creature effects fabricator |
| Leon Smikle | .. | special effects technician |
| Phoebe Tait | .. | special effects technician |
| Kevin Welch | .. | wire flying coordinator |
| Kevin Wescott | .. | special effects technician |
| James Willis | .. | special effects crew |
| Matt Wood | .. | special effects technician |
| Tony Abejuro | .. | matchmove lead: MPC |
| Lucile Abiven | .. | visual effects coordinator |
| Darrell Abney | .. | senior modeler/texture artist |
| Gokcer Adli | .. | matchmove artist |
| Nidhi Agarwal | .. | matchmove artist: MPC |
| Rohit Agarwal | .. | roto animation artist: The Moving Picture Company |
| Ritesh Aggarwal | .. | stereoscopic supervisor |
| Laide Agunbiade | .. | senior technical director: lighting |
| Shane Aherne | .. | senior technical director: Rising Sun Pictures |
| Zohaib Ahsan | .. | junior lighting artist: Cinesite |
| Juan Antonio Alamo | .. | visual effects artist: Base Black |
| Victoria Albanese | .. | 3D VFX Coordinator |
| Holly Aldersley | .. | roto/prep artist |
| Oliver Allen-Wielebnowski | .. | stereoscopic supervisor: Prime Focus |
| Laia Alomar | .. | visual effects coordinator |
| Jordan Alphonso | .. | stereo depth artist |
| Holli Alvarado | .. | Flame artist |
| Terence Alvares | .. | digital compositor |
| Joan Amer | .. | lighting technical director |
| Paul Amiras | .. | assistant vfx hotographer: Cinesite |
| Ron R. Anantavara | .. | director of technology: I.E. Effects |
| Etienne Andlau | .. | stereoscopic conversion compositor |
| Edward Andrews | .. | digital paint and roto artist: Double Negative |
| Nigel Ankers | .. | lead effects technical director: MPC |
| Christopher Anthony | .. | technical director |
| Christopher Antoniou | .. | character animator: Cinesite |
| Roger Apolinar | .. | stereoscopic roto artist: The Base Studio |
| Paul Arion | .. | layout artist: MPC |
| Spencer Armajo | .. | Flame artist |
| Jörundur Rafn Arnarson | .. | visual effects artist |
| Gabriel Arnold | .. | effects technical director: MPC |
| Vaughn Arnup | .. | roto supervisor |
| Tricia Henry Ashford | .. | visual effects producer |
| Ambrish Ashish | .. | paint compositor / stereo compositor |
| Mathieu Assemat | .. | visual effects artist |
| Myles Asseter | .. | digital artist: modeler |
| Tony Atherton | .. | effects technical director: Framestore |
| Davey Atkinson | .. | stereoscopic conversion compositor |
| Nicholas Atkinson | .. | VFX data coordinator |
| Jonathan Attenborough | .. | lighting technical director: MPC |
| Jim Aupperle | .. | lighting technical director |
| Guray Ayakur | .. | matchmove lead (as Ferda Guray Ayaokur) |
| Adam Azmy | .. | digital compositor: Framestore |
| Nithin Babu | .. | roto artist: The Moving Picture Company |
| Jörg Baier | .. | digital compositor: Double Negative |
| Keziah Bailey | .. | visual effects artist: Double Negative |
| Negin Bairami | .. | senior texture painter |
| Radoslav Bakalov | .. | senior character modeler / track/matchmove artist |
| Michael Baker | .. | paint and roto artist: Framestore |
| Richard Baker | .. | stereo supervisor |
| P. Balaji | .. | digital artist |
| Balakrishnan | .. | jr compositor: oysterr digital india |
| Mahesh Balakrishnan | .. | matchmove artist: MPC |
| Priyanka Balasubramanian | .. | stereoscopic producer |
| Valdimar Baldvinsson | .. | animator: Framestore |
| Daniel Baldwin | .. | matchmove artist |
| Jon Baldwin | .. | stereoscopic compositor: stereoscopic conversion (as Jonathan Robert Baldwin) |
| Sanjay Baliga | .. | rotoanim artist: The Moving Picture Company |
| Luke Ballard | .. | roto/prep artist: Double Negative |
| Jesse Balodis | .. | senior texture artist |
| Subhrojyoti Banerjee | .. | visual effects artist |
| George Barbour | .. | technical director: Double Negative |
| Adam Barnett | .. | technical support |
| Patrick Barrett | .. | visual effects compositor: stereoscopic conversion |
| Hernan Barros | .. | stereoscopic conversion artist |
| Dan Bartolucci | .. | flame artist: Lola vfx |
| Sam Bassett | .. | lead compositor: MPC London |
| Claudio Bassi | .. | digital compositor: Baseblack |
| Travis Baumann | .. | compositing supervisor: Gradient Effects |
| Ines Baumgartner | .. | track/matchmove artist |
| Bob Baxter | .. | matchmove artist |
| Robin Beard | .. | compositing sequence supervisor: Double Negative |
| Nicolas Beaufays | .. | digital compositor: MPC |
| Paul F. Becker | .. | stereoscopic producer: Gener8 |
| Stuart Becker | .. | stereoscopic conversion lead |
| Michael Becki | .. | layout td |
| Robert Beckwith | .. | pipeline technical assistant: Tippett Studio |
| Lizi Bedford | .. | crew manager: Framestore |
| Leah Beevers | .. | technical animator |
| Dila Beksac | .. | digital artist: The Base Studio |
| Adrian Bell | .. | shader writer |
| Katie Bell | .. | visual effects coordinator: Double Negative |
| Paula Bell | .. | lead prep artist |
| Richard A.M. Bell | .. | lighting technical director: Cinesite |
| Gregory Bellis | .. | matchmove artist: Animal Logic |
| Chris Bending | .. | crowd td |
| Richard Bendo | .. | stereoscopic compositor |
| Michele Benigna | .. | senior compositor: Cinesite |
| Frank Benton | .. | stereoscopic production manager |
| Prabir Bera | .. | senior stereoscopic compositor |
| Gloria Bernabeu | .. | digital compositor |
| Jan Berner | .. | effects td: Cinesite |
| Jeremy Berruel | .. | modeler |
| Sam Berry | .. | rigger: MPC |
| Melissa Best | .. | lead stereo compositor: Gener8 |
| Ediga c Bharath | .. | matchmove artist: The Moving Picture Company |
| Sourajit Bhattacharya | .. | roto artist / stereo compositor |
| Arwinder Singh Bhurji | .. | lead matchmove artist |
| Chase Bickel | .. | digital compositor |
| Khandu Bidkar | .. | rotoscope artist: prime focus |
| Luke Bigley | .. | roto/prep artist: Double Negative |
| Muhittin Bilginer | .. | visual effects technical director: Double Negative |
| Bineesh | .. | senior matchmove artist |
| Kanishk Deb Biswas | .. | roto/animation artist: The Moving Picture Company |
| Frederik Valentin Bjerre-Poulsen | .. | rigging technical director |
| Brad Blackbourn | .. | stereo supervisor |
| Peter Blackburn | .. | junior compositor / paint/roto artist: Cinesite |
| Michael Blain | .. | r&d developer |
| Gerald Blaise | .. | digital artist |
| Vincent Blin | .. | flame artist: Lola Visual Effects |
| Andrej Blom | .. | lighting artist: Cinesite |
| Julian Bloomfield | .. | visual effects coordinator |
| Joel Bodin | .. | previs artist |
| Stacey Boiselle | .. | motion capture producer: Audiomotion Studios |
| Julien Bolbach | .. | environment lead: MPC |
| Axel Bonami | .. | sequence lead compositor: MPC London |
| Anto Bond | .. | modeler |
| Cyrille Bonjean | .. | digital compositor |
| Daniel Booty | .. | visual effects coordinator: Framestore |
| Parismita Borah | .. | stereoscopic compositor: Prime Focus (as Porismita Borah) |
| Nicolas Borens | .. | digital compositor |
| Michael Borhi | .. | senior surfacing artist |
| Lucie Bories | .. | digital compositor: MPC |
| Mark Bortolotto | .. | digital compositor |
| Sudeepto Bose | .. | compositor: The Moving Picture Company, London |
| Jonathan Bot | .. | digital compositor |
| Guy Botham | .. | visual effects executive producer: Lola Visual Effects |
| Zakaria Boumediane | .. | texture artist: mpc |
| Virginie Bourdin | .. | art director |
| Scott Bourne | .. | digital paint & roto artist |
| Damien Bouvier | .. | matchmove artist: Peanut FX |
| David A.T. Bowman | .. | lead compositor: BaseBlack |
| Paul Boyd | .. | visual effects artist |
| Dameon Boyle | .. | technical animator |
| James Braid | .. | technology: Double Negative |
| Franz Brandstaetter | .. | digital compositor |
| Kane Brassington | .. | roto artist |
| Sheldon Brathwaite | .. | stereo compositor |
| Benjamin Bratt | .. | roto/prep artist |
| Michael Brazelton | .. | digital compositor |
| Ben Breckenridge | .. | stereographer/stereoscopic supervisor |
| Dan Breckwoldt | .. | senior compositor: MPC |
| Jared Brient | .. | sr. lighting td: MPC |
| Daniel Briney | .. | stereoscopic conversion artist |
| Matthew Bristowe | .. | stereoscopic producer: Prime Focus Film |
| Jonathan Brouillat | .. | shader writer |
| Zack Broussard | .. | visual effects artist (stereoscopic conversion) |
| Ben Brown | .. | matchmove artist |
| Kari Brown | .. | senior effects technical director: Cinesite |
| Robin T. Brown | .. | lead digital paint & roto artist |
| Nik Brownlee | .. | digital compositor: Double Negative |
| Edward Brugge | .. | visual effects artist |
| Stuart Bruzek | .. | stereoscopic compositing lead |
| Rob Bryson | .. | roto/prep artist: MPC |
| Marc Brzezicki | .. | stereoscopic compositor |
| Izet Buco | .. | digital compositor |
| Lukasz Bukowiecki | .. | visual effects editor: Framestore |
| Matthew Bullock | .. | digital modeler: Double Negative |
| Andrew Bunday | .. | pipeline supervisor |
| Jordan Burbank | .. | production assistant: Sassoon Film Design |
| Nicole Burch | .. | stereoscopic roto artist: The Base Studio |
| Simon Burchell | .. | supervising pre-visualization editor |
| Kate Burgess | .. | stereoscopic compositor |
| Patrick Michael Burke | .. | compositor |
| Tim Burke | .. | visual effects supervisor |
| Richard Burnside | .. | matchmove artist: Double Negative / matchmove supervisor: Double Negative |
| Julian Burt | .. | roto animation |
| Henry Bush | .. | pipeline lead |
| Greg Butler | .. | visual effects supervisor: MPC |
| Roisin Byrne | .. | production accountant: Cinesite |
| Nathaniel Caauwe | .. | stereoscopic roto lead |
| Andrew Cadey | .. | visual effects technical director |
| Howard R. Campbell | .. | lead lighting artist |
| Kevin Campbell | .. | digital artist / visual effects |
| Georgia Cano | .. | stereoscopic compositor |
| Keanan Cantrell | .. | lighting td: The Moving Picture Company |
| Pete Capelluto | .. | head of pipeline |
| Rhodem Regner Capilla | .. | roto artist (as Rhodem R. Capilla) |
| Tim Caplan | .. | visual effects producer: Union VFX |
| Francesco Capone | .. | stereoscopic conversion artist |
| Marco Carboni | .. | crowd sim lead: MPC |
| Helen Carr | .. | paint and rotoscope artist |
| James Carson | .. | matchmover |
| Montana Casey | .. | digital compositor |
| Tom Castellani | .. | stereoscopic conversion artist |
| Elohim Cervantes Tampus | .. | senior roto artist |
| Kamelia Chabane | .. | visual effects artist |
| Philip Chacko | .. | paint/prep artist: The Moving Picture Company |
| Anthony Chadwick | .. | visual effects artist |
| Ibrahim Chaffardet | .. | animator / matchmover |
| Aleksandar Chalyovski | .. | vfx td: Double Negative (as Alexander Chaliovski) |
| Maria Chamberlain | .. | digital artist: digital restoration |
| Chase Champagne | .. | stereoscopic conversion artist |
| Adrian Chan | .. | visual effects supervisor |
| Manjoe Chan | .. | matchmove artist: Framestore |
| Ashish Chandok | .. | paint artist (stereoscopic conversion) |
| Malavika Chandrakanth | .. | paint and roto artist |
| Anoop Chandran | .. | matchmove artist: MPC |
| Shyamsundar Chandrasekaran | .. | senior paint artist: Tata Elxsi |
| Jerly Chang | .. | matchmove artist: Double Negative |
| Thom Chang | .. | matchmove artist: double negative |
| Paul Chapman | .. | digital compositor: Baseblack |
| Matthieu Chardonnet | .. | senior effects technical director |
| Satyendra Chaturvedi | .. | digital artist |
| Uriel Chavez | .. | rotoscope artist: The Base Studio |
| Christopher Chen | .. | 3D conversion assets producer |
| Fiona Chilton | .. | visual effects producer: Tippett Studio |
| Daniel Chirwa | .. | compositor: Cinesite |
| Jeremy Cho | .. | digital paint & roto artist |
| Nicolas Chombart | .. | lighting td |
| Charles Chorein | .. | lighting technical director |
| Tim Chou | .. | stereoscopic compositor: Gener8 |
| YouJin Choung | .. | compositor: Tippett Studio |
| Michael Christophersson | .. | matchmove artist: Framestore (as Michael Todd) |
| Benjamin Chrysler | .. | rotoscope supervisor |
| Mei Chu | .. | rotoscope artist |
| Daniel Chung | .. | stereoscopic rotoscope artist |
| Martin Ciastko | .. | sequence lead: Cinesite |
| Mike Cisneros | .. | stereoscopic roto artist: The Base Studio |
| Edith Clara | .. | matchmover lead / tracking lead |
| Kirsty Clark | .. | digital compositor |
| Craig Clarke | .. | visual effects supervisor |
| Trent Claus | .. | flame artist |
| Jeff Clifford | .. | research and development: Double Negative |
| Anita Clipston | .. | stereoscopic compositor |
| Roberto Clochiatti | .. | lighting technical director: Double Negative |
| Alex Coble | .. | rotoscoper/compositor: Animal Logic |
| Riccardo Coccia | .. | lighting technical director: MPC |
| Isabel Cody | .. | previs animator |
| Esme Coleman | .. | stereo compositor |
| Ross Colgan | .. | senior data operator: Cinesite |
| Paul Connaughton | .. | matchmove artist: Cinesite / tracking artist: Cinesite |
| Michael Connor | .. | roto/prep artist: Double Negative |
| Tristan Connors | .. | digital artist |
| Paolo Consorti | .. | effects technical director |
| Traian Constantinescu | .. | digital compositor: MPC |
| Kingsley Cook | .. | visual effects coordinator: Warner Bros |
| Ian Cope | .. | stereoscopic producer: Rising Sun Pictures |
| Dan Copping | .. | senior layout artist: MPC |
| Simon Corbaux | .. | layout artist |
| Sam Corcoran | .. | software developer: MPC |
| Will Correia | .. | digital artist: Baseblack |
| Francesco Cosatti | .. | compositor: Cinesite |
| Zoe Cousins | .. | data operator: Cinesite |
| Cleber Coutinho | .. | data operator: Cinesite |
| Mitch Crease | .. | digital compositor |
| Anna Creasy | .. | visual effects coordinator: Rising Sun Pictures |
| Sarah Cripps | .. | visual effects coordinator (as Sarah Middleton) |
| Chris Crowell | .. | compositor |
| John Cruise | .. | view-d editor |
| James Cundill | .. | view-d editor |
| Eoghan Cunneen | .. | assistant technical director |
| Anthony D'Agostino | .. | stereoscopic compositor |
| Nick Dacey | .. | visual effects editor: Double Negative |
| Aimee Dadswell | .. | visual effects producer: Framestore (as Aimee Dadswell-Davies) |
| Rif Dagher | .. | stereo head of r&d: Pixelmagic |
| Ingrid-Elin Dahl-Olsen | .. | research and development: Double Negative |
| Oliver Dale | .. | matchmove/rotoAnimation |
| Michaela Danby | .. | digital compositor |
| Nicola Danese | .. | lead effects technical director: MPC |
| Francesca Dare | .. | paint/roto artist: Double Negative |
| Edward L. Dark | .. | visual effects coordinator |
| Christopher Davies | .. | matchmover: MPC |
| Michael Davies | .. | digital effects |
| Adam Davis | .. | head of crowd sim |
| Amy Davis | .. | prep artist: Framestore |
| Samual Dawes | .. | roto/prep artist: double negative |
| Graham Day | .. | digital compositor: Double Negative |
| Mark Day | .. | systems administrator: Framestore |
| Aurore de Blois | .. | digital compositor |
| Alan De Castro | .. | stereoscopic compositor: Sassoon Film Design |
| Florent de La Taille | .. | animator |
| Ana Claudia De Modesti | .. | stereoscopic roto artist |
| Júlio Cesar de Modesti | .. | stereoscopic roto artist |
| Samadrita Deb | .. | visual effects artist |
| Sharma Deep | .. | stereoscopic compositor |
| Christopher DeFaria | .. | visual effects executive |
| Zelko Dejanovic | .. | digital compositor / stereoscopic conversion |
| Jorge del Valle | .. | previs artist |
| Jake Delaney | .. | stereoscopic coordinator |
| Nicolas Delbecq | .. | senior effects technical director: Double Negative |
| Kevin Delee | .. | digital artist |
| Caroline Delen | .. | digital artist |
| Stanley A. Dellimore | .. | head of layout: MPC |
| Sarah Delucchi | .. | matchmove artist |
| Alan Denton | .. | data manager: Sassoon Film Design |
| Steven Denyer | .. | visual effects artist |
| Jason DeParis | .. | match move artist / visual effects artist |
| Del DePierro | .. | digital compositor |
| Gordan Derbogosijan | .. | stereo compositor |
| Dani Devereux | .. | matte painter |
| Ciaran Devine | .. | fx technical director: Framestore |
| Thomas Devorsine | .. | lighting technical director |
| Beth Dewhirst | .. | stereo production coordinator: Gener8 |
| Fabrice Di Cicco | .. | matchmove artist: Peanut FX |
| Sandro Di Segni | .. | visual effects artist |
| Julien Dias | .. | digital compositor |
| Darren Ray J. Diaz | .. | roto artist |
| Craig Dibble | .. | senior systems engineer: Animal Logic |
| Sylvan Dieckmann | .. | sequence supervisor |
| Victor DiMichina | .. | stereo production manager: Pixel Magic |
| Chloe Do | .. | matchmove animator: Sassoon Film Design |
| Kaori Doi | .. | lighting & lookdev technical director: Double Negative |
| Ferran Domenech | .. | animation supervisor: MPC / previs supervisor: Warner Brothers |
| Faith Domingo | .. | rotoscope artist |
| Est Donnelly | .. | production coordinator |
| Greg Dora | .. | stereoscopic compositor |
| Alana Douglas | .. | visual effects artist |
| Tom Dow | .. | lead layout artist: MPC |
| Christopher Downs | .. | lighting technical director |
| Markus Drayss | .. | visual effects technical director: Double Negative |
| Lucy Drewett | .. | visual effects coordinator: Framestore |
| Andrey Drogobetski | .. | digital compositor |
| Luke Drummond | .. | digital compositor |
| Patricio Ducaud | .. | visual effects artist |
| Julien Ducenne | .. | digital compositor: MPC |
| Christophe Duflaut | .. | digital compositor |
| Alejandro Dumas | .. | rotoscope animator |
| Ashley-Martin Dunn | .. | stereoscopic roto artist |
| Ryan Dutour | .. | digital compositor |
| Thomas Dyg | .. | sequence lead: Cinesite |
| Kishan E. Chandran | .. | matchmove artist: The Moving Picture Company |
| Bruno Ebe | .. | visual effects technical director |
| Carl Edlund | .. | digital matte painter: Framestore |
| Gracie Edscer | .. | vfx production manager: MPC |
| Lola Edun | .. | stereoscopic conversion artist |
| David Edwards | .. | roto artist: Animal Logic |
| Richard Edwards | .. | stereo coordinator: Warner Bros |
| Dadi Einarsson | .. | visual effects supervisor: Framestore Reykjavik |
| Zahraa El Tatari | .. | stereoscopic coordinator |
| David Elices | .. | stereoscopic compositor |
| Karen Elliott | .. | stereoscopic conversion compositor |
| Jane Ellis | .. | visual effects coordinator |
| Stephen Ellis | .. | visual effects artist: Double Negative |
| Chris Elmer | .. | lighting/look development artist: The Moving Picture Company |
| Stephen Elson | .. | visual effects producer: baseblack |
| Dan Elvins | .. | data operator: Cinesite |
| Robin Emerson | .. | pipeline technical director |
| Andrew Emmerson | .. | stereoscopic compositor |
| Zsuzsanna Erdei | .. | matchmove artist: Peanut FX |
| Airyque Ervin | .. | rotoscope artist: The Base Studio |
| Jérome Escobar | .. | effects technical director: MPC |
| Daniel Evans | .. | head of shaders: Framestore |
| Jo-Ann Evans | .. | visual effects 3D production supervisor: Warner Brothers |
| Michele Fabbro | .. | fx technical director: Framestore |
| Péter Farkas | .. | digital compositor: Baseblack |
| Daniele Federico | .. | pipeline td |
| Amy Felce | .. | senior matchmove artist (as Amy Lloyd) |
| Fathima Feminò | .. | stereoscopic compositor |
| Bruno Fernandes | .. | digital compositor: Cinesite |
| Tito Fernandes | .. | stereo layout artist |
| Via Fernandez | .. | digital artist: The Base Studio |
| Via Fernandez | .. | digital artist |
| Dominique Fiore | .. | digital compositor: Double Negative |
| Igor Fiorentini | .. | digital compositor |
| Greg Fisher | .. | head of animation: MPC |
| Jack Fisher | .. | visual effects |
| Jay Fleming | .. | matchmove artist: Double Negative |
| Joss Flores | .. | digital compositor |
| Brad Floyd | .. | lead compositor: The Moving Picture Company |
| John Follmer | .. | stereoscopic conversion executive producer: VenSat America |
| Adam Folse | .. | stereo depth artist |
| David Forsbrey | .. | matchmove artist: Double Negative |
| Q Fortier | .. | head of technology: Tippett Studio |
| James Foster | .. | digital compositor |
| Matt Fox | .. | head of production: Framestore |
| Zack Fox | .. | stereo conversion coordinator: IE Effects |
| Page Frakes | .. | color pipeline supervisor: Tippett Studio |
| Boominathan Frances | .. | matchmove artist |
| Wes Franklin | .. | lookdev artist / lighting td: MPC |
| Jordan Freda | .. | visual effects producer: The Base Studio |
| Lachlan French | .. | digital tracking/matchmove artist |
| Miles Friedman | .. | visual effects coordinator: Lola VFX |
| Jeremy Fries | .. | roto/animation artist |
| Sarah Fuller | .. | look development/lighting artist |
| Amy Furey | .. | data operator: Cinesite |
| Laetitia Gabrielli | .. | look dev artist |
| Jigesh Gajjar | .. | matchmove supervisor: The Moving Picture Company |
| Aron Galabuzi | .. | digital paint artist: Prime Focus |
| Murray Gale | .. | visual effects production assistant: Cinesite |
| Javier Gallego | .. | digital compositor |
| Edwin Gamez | .. | stereoscopic roto artist |
| Mayur Gangasagar | .. | stereo compositor & element compositing |
| Juan Edgardo Garcia | .. | rotoscope artist: Sassoon Film Design |
| Benn Garnish | .. | character animator: Cinesite |
| Caroline Garrett | .. | cg manager: Cinesite |
| Adam Gascoyne | .. | visual effects supervisor union vfx |
| Sarah Gatefield | .. | junior matchmove artist: Framestore |
| Nikos Gatos | .. | lighting supervisor: Cinesite |
| Robert Geisler | .. | roto artist |
| Marco Genovesi | .. | head of matte painting: MPC |
| Jack George | .. | visual effects production coordinator |
| Saneesh George | .. | matchmove artist: The Moving Picture Company |
| Clement Gerard | .. | lighting sequence lead: Double Negative |
| Nikhil Ghoorbin | .. | scanning and recording technician |
| Kunal Ghosh Dastider | .. | senior effects technical director: MPC |
| Jackson Gichuki | .. | stereoscopic artist |
| Walter Gilbert | .. | digital compositor: Double Negative |
| Safiya Gili | .. | stereoscopic conversion artist co-lead |
| Ivan Girard | .. | concept artist: Cinesite |
| Matthew Glen | .. | vfx editor |
| Frederikke Glick | .. | paint artist |
| Melissa Goddard | .. | stereoscopic conversion compositor |
| Steven Godfrey | .. | visual effects artist |
| Erick Godreau | .. | stereo compositor |
| Jitesh Gohil | .. | digital artist: MPC |
| Rui Gomes | .. | systems administrator: Framestore Iceland |
| Lisa Gonzalez | .. | lead modeller |
| Kyle Goodsell | .. | digital compositor |
| Zachary Goodson | .. | track/matchmove artist |
| Azzard Gordon | .. | cgi modeler: Double Negative |
| Mark Gostlow | .. | compositor: Framestore |
| Andrew Gough | .. | motion capture specialist |
| A.B. Govardhan | .. | lead matchmove artist |
| Sofus Graae | .. | visual effects coordinator |
| Charlotte Gray | .. | digital artist: digital restoration |
| Luke Gray | .. | roto artist: MPC / stereoscopic lead |
| Robert Grbevski | .. | lead technical director |
| Aoife Greenham | .. | lead stereoscopic compositor |
| Gavin Gregory | .. | visual effects coordinator |
| Donald Gremillion II | .. | stereo depth artist: Pixel Magic |
| Dave Griffiths | .. | lead compositor |
| Jeff Grigsby | .. | visual fx: Gradient Effects |
| Chloe Grysole | .. | visual effects producer: Cinesite |
| Natalia Gubareva | .. | roto artist/compositor: Animal Logic |
| Scott Gudahl | .. | digital artist |
| Omar Gudjonsson | .. | compositor |
| Diego Guerrero | .. | lead lighting technical director: MPC London |
| Rajan Gulati | .. | digital compositor |
| Vinod Gundre | .. | senior stereoscopic compositor |
| Dong Guo | .. | stereoscopic conversion lead |
| Carl Guyenette | .. | rotoscope artist |
| Amélie Guyot | .. | matchmove supervisor: Peanut FX |
| Gil Hacco | .. | matchmove lead: Sassoon Film Design [us] |
| Crystal Hadcroft | .. | visual effects editor: MPC |
| Venetia Hadley | .. | compositor: Cinesite (as Venetia Penna) |
| Lee Hahn | .. | digital production manager |
| Bruno Hajnal | .. | lighting artist: Cinesite |
| Jerry Hall | .. | digital compositor |
| Luan Hall | .. | roto artist |
| Robert J. Hall | .. | paint/prep artist |
| Chris Halstead | .. | digital compositor |
| Paul Haman | .. | matchmove supervisor: Sassoon Film Design |
| Joseph Hamdorf | .. | visual effects animator: Tippett Studio |
| Raphael Hamm | .. | digital compositor / visual effects: Double Negative |
| Adam Hammond | .. | digital compositor / visual effects: Double Negative |
| Fay Hancocks | .. | visual effects line producer: Double Negative |
| Sam Hanover | .. | matchmove artist: Double Negative |
| Kristina Marie Hansen | .. | rotoscope artist (as Kristina Nunez-Hansen) |
| Pete Hanson | .. | studio manager: Double Negative |
| Ryu Harada | .. | generalist technical director |
| Michael Harden | .. | vfx edit assistant |
| Kayleigh Harding | .. | visual effects coordinator |
| Will Hardwick | .. | visual effects artist |
| Mark Harmon | .. | stereo compositor |
| Brandon Harr | .. | lidar scanning: LiDAR VFX |
| Ben Harrison | .. | stereoscopic vfx coordinator |
| Claire Harrison | .. | matchmove artist: Double Negative |
| Gavin Harrison | .. | creature lead technical director: Double Negative |
| Mark Harrison | .. | senior lighting technical director |
| Will Harrower | .. | research and development: Double Negative |
| Chris Hart | .. | visual effects artist: Double Negative |
| Simon Haslett | .. | lead compositor and designer |
| Andy Hass | .. | animator: Tippett Studio |
| Arnaud Havart | .. | environment artist: MPC |
| Michael Havart | .. | digital environment artist |
| Steve Hawken | .. | compositor: Cinesite |
| Ed Hawkins | .. | digital effects supervisor |
| James Hays III | .. | stereoscopic roto artist: The Base Studio |
| Adam Hazard | .. | digital compositor: Tippett Studio |
| Karsten Hecker | .. | imaging engineer |
| Oliver Heinrich | .. | digital compositor: MPC |
| Nicole Hekel | .. | compositor |
| Richard Helliwell | .. | senior render wrangler: Cinesite |
| Kieron Helsdon | .. | environment lead |
| Rachael Hender | .. | visual effects artist: Double Negative |
| Julio Del Rio Hernandez | .. | lead animator |
| Joshua Herrig | .. | lead lighting/ look development artist |
| Laurent Herveic | .. | modeler |
| Rebecca Heskes | .. | digital artist |
| Jan Heusler | .. | digital compositor: MPC |
| Sara Hilmarsdóttir | .. | matchmove artist: Framestore |
| Sean Hince | .. | motion capture animator: motion capture unit |
| Cristian Hinz | .. | visual effects artist |
| Martin Hjalmarsson | .. | compositor |
| Thomas Rotohiko Hobman | .. | technical animator: MPC |
| Tom Hocking | .. | compositor / visual effects: Double Negative |
| Victoria Hodson | .. | matchmove artist |
| Dylan Holden | .. | stereoscopic roto artist |
| Rebecca Holdstock | .. | tracking artist: Cinesite (as Rebecca Miller) |
| Duncan Holland | .. | visual effects coordinator: Baseblack |
| Tim Holleyman | .. | digital matte painter: MPC |
| Rudi Holzapfel | .. | visual effects supervisor: Baseblack |
| Jason Horley | .. | digital matte painter: Framestore |
| Russell Horth | .. | lead artist: compositing: Framestore |
| Ben Houston | .. | visual effects engineer |
| Julian Howard | .. | layout td |
| Ritchie Hoyle | .. | roto animator |
| Jack Hughes | .. | in-house compositor / set matchmove technician |
| Álex Huguet | .. | digital artist |
| Antony Hunt | .. | executive producer: Cinesite |
| Jess Hunt | .. | paint & roto artist |
| Matthew Wheelon Hunt | .. | visual effects artist (as Matthew Hunt) |
| Robert Husted | .. | data manager: Sassoon Film Design |
| Julian Hutchens | .. | lighting technical director: Framestore |
| Louise Hutchinson | .. | visual effects co-ordinator: Cinesite |
| Michael Illingworth | .. | visual effects: Vine |
| Nicholas Illingworth | .. | effects technical director: Double Negative (as Nik Illingworth) |
| Chris Ingersoll | .. | digital compositor |
| Amanda Instone | .. | visual effects artist |
| Jonna Isotalus | .. | digital compositor |
| Velichko Ivanov | .. | senior stereoscopic compositor |
| Albena Ivanova | .. | stereoscopic compositor |
| Christopher Ivins | .. | stereoscopic compositor: ICO |
| Lakshmi J.K. | .. | digital artist |
| Matt Jacobs | .. | visual effects supervisor |
| Vahram Jacobs | .. | stereoscopic compositor |
| Marius Andre Jacobsen | .. | stereo converting / tracking |
| Gemma James | .. | visual effects production manager |
| Suzanne Jandu | .. | digital compositor |
| Jason Paul Jansky | .. | animation |
| Christopher Jaques | .. | roto/prep artist: double negative |
| Christopher Jarvis | .. | stereoscopic compositor: I.E. Effects |
| Daniel Jeantou | .. | technical support |
| Sivaprakash Jeevanantham | .. | digital artist |
| Nathan Jennings | .. | digital artist |
| Hanjoo Jeong | .. | effects technical director: MPC |
| Chris Jestico | .. | visual effects department manager: MPC |
| Olivier Jezequel | .. | digital compositor |
| Adam Jhani-Stephens | .. | studio assistant |
| Zhi Jin | .. | compositor |
| Helen Johnson | .. | digital compositor |
| Ross Johnson | .. | visual effects coordinator: MPC |
| Christopher Django Johnston | .. | matchmove artist: Framestore |
| Ingrid Johnston | .. | visual effects producer: Animal Logic |
| Keith Jones | .. | digital compositor |
| Marc Jones | .. | matchmove artist: MPC |
| Owen Jones | .. | matchmove supervisor |
| Simon P. Jones | .. | lighting lead: Moving Picture Company |
| Philip Joslin | .. | lead stereo compositor |
| Alroy Jovi | .. | rotoscope artist: Prime Focus |
| Nicolas Joyen-Conseil | .. | roto artist |
| Jason Jue | .. | stereoscopic compositor |
| Kirk Jung | .. | matchmove/layout: Tippett Studio (as Kirk Larkins) |
| Sarah Juniper | .. | compositor: Baseblack |
| Dinesh K. Bishnoi | .. | matchmove artist: The Moving Picture Company |
| Rajesh Kumar K.V. | .. | matchmove artist: MPC |
| Theivendran Kabelan | .. | visual effects |
| Christian Kaestner | .. | 2D supervisor: Framestore |
| Pratik Kalani | .. | lead stereo compositor |
| Noushad Kallingal | .. | visual effects artist |
| Jeffrey Kalmus | .. | stereographer: ICO VFX |
| Barry Kane | .. | rendering supervisor |
| Mel Kangleon | .. | lead colourist |
| Jeevith Kanth | .. | roto/animation artist: MPC |
| Ranajoy Kar | .. | roto/animation artist: The Moving Picture Company |
| Per Karefelt | .. | senior research & development engineer |
| Michael Karp | .. | matchmover |
| Alban Kasikci | .. | digital compositor |
| John Kay | .. | CG animator: MPC |
| Mohsin Kazi | .. | digital compositor |
| Jacob Kebodeaux | .. | stereo depth artist |
| James D. Kelly | .. | visual effects photographer: MPC |
| John Kelly | .. | matchmove artist: Double Negative |
| Kat Kelly | .. | stereoscopic conversion artist co-lead |
| Matt Kelly | .. | digital stereoscopic compositor |
| Stephanie C. Kelly | .. | digital compositor |
| Jeremy Kelly-Bakker | .. | visual effects artist |
| Henry Kemplen | .. | visual effects assistant editor |
| Lim Ken | .. | matchmove artist |
| Abbie Kennedy | .. | matchmove artist: Double Negative (as Abbie Smith) |
| David Kenneth | .. | stereoscopic executive producer: I.E. Effects |
| Annabelle Kent | .. | digital compositor |
| Nicolas Kermel | .. | digital compositor |
| Alex Kerridge | .. | visual effects production assistant |
| Bernhard Kerschbaumer | .. | visual effects artist |
| Aslam Khader Hayath | .. | senior matchmove artist: MPC Bangalore (as K.H. Aslam) |
| Asim Khan | .. | generalist td: Baseblack |
| Sevendalino Khay | .. | lead digital matte painter: Cinesite |
| Atul Khurana | .. | stereoscopic conversion |
| Elaine Kieran | .. | shader writer: double negative |
| John Kilshaw | .. | lead fx artist |
| Erin Eunsung Kim | .. | visual effects coordinator |
| Hong Kim | .. | match move artist: Sassoon Film Design |
| SeungJang 'Jack' Kim | .. | lead modeler |
| Tom Kimberley | .. | digital compositor: MPC |
| Andy Kind | .. | vfx supervisor: Framestore |
| Noah Klabunde | .. | lighting technical director |
| Niels Kleinheinz | .. | rigger (as Niels Roscher) |
| Dominik Klotz | .. | rotoscope artist: The Base Studio |
| Daniel Kmet | .. | animator: MPC |
| Dorian Knapp | .. | previs artist: Double Negative |
| Jonathan Knight | .. | sequence compositing supervisor: Double Negative |
| Marcin Kolendo | .. | digital compositor |
| Lev Kolobov | .. | on-set visual effects support / senior visual effects compositor: The Moving Picture Company |
| Rohit Korgaonkar | .. | stereoscopic conversion artist |
| Lars Kramer | .. | camera td / visual effects artist |
| Richard Kratt | .. | stereoscopic conversion |
| Benjamin Krebs | .. | digital compositor |
| Andreas Krein | .. | digital compositor (stereoscopic) |
| Michal Kriukow | .. | senior modeler |
| Mark Kronstein | .. | editorial: Sassoon Film Design |
| Morgan Krutz | .. | visual effects artist |
| Jola Kudela | .. | digital compositor |
| Swapnil Kulkarni | .. | stereoscopic conversion lead |
| Vikram Kulkarni | .. | digital compositor |
| Sujay Kumar G. | .. | matchmove artist: The Moving Picture Company |
| Amit George Kuruvilla | .. | effects td: Cinesite |
| George Kyparissous | .. | lighting artist: Cinesite |
| Leandre Lagrange | .. | digital artist |
| Sean Lahiff | .. | visual effects editor: Rising Sun Pictures |
| Sabine Laimer | .. | digital compositor: Double Negative |
| Erran Lake | .. | data wrangler |
| Toby Langley | .. | assistant production manager: Prime Focus |
| Cam Langs | .. | digital effects supervisor: Rising Sun Pictures |
| Douglas Larmour | .. | visual effects sequence lead |
| Greg LaSalle | .. | facial motion capture supervisor |
| Lorenzo Lavatelli | .. | effects technical director |
| Aaron M. Lawn | .. | lighting lead: MPC |
| Stafford Lawrence | .. | animator |
| Isaac Layish | .. | sequence compositing supervisor: Double Negative |
| Guillaume Le Gouez | .. | digital compositor |
| Michael F. Le | .. | rotoscope artist |
| Tracey Leadbetter | .. | visual effects: Double Negative |
| Aaron Lear | .. | paint & roto artist |
| Rick Leary | .. | CG supervisor: Double Negative |
| Daniel Leatherdale | .. | paint/roto artist: Double Negative |
| Florent Lebrun | .. | environment artist |
| Adrian Lee | .. | visual effects technical director: Double Negative (as Ed Lee) |
| Key Hyung Lee | .. | effects technical director: double negative |
| Ming-Chia Lee | .. | effects technical director: double negative |
| Robbie Lee | .. | visual effects editor: Baseblack |
| Steven Lees-Smith | .. | support engineering supervisor: animal logic |
| Max Leonard | .. | visual effects coordinator: Lola Visual Effects |
| Philippe Leprince | .. | shading research and development: Double Negative |
| Jean-François Leroux | .. | digital compositor: Double Negative |
| Benoit Leveau | .. | software developer |
| Julien Leveugle | .. | lead stereoscopic compositor |
| Julian Levi | .. | visual effects executive producer: MPC |
| Michael Levine | .. | lead cloth technical director: Rising Sun Pictures |
| Riley Liao | .. | rotoscope artist: Gener8 |
| David Lieberman | .. | stereoscopic conversion compositor co-lead |
| Anu Liikkanen | .. | paint/prep artist |
| Scott Lissard | .. | stereo depth artist |
| Jules Lister | .. | visual effects production coordinator: Double Negative |
| Steven Lloyd | .. | senior compositor |
| Zachary Lo | .. | compositor |
| Jacqueline Lockley | .. | digital compositor (as Jacqui Purkess) |
| Keir Longden | .. | junior lighting artist: Cinesite |
| Luciano Lopes | .. | digital compositor |
| Einer Lopez | .. | rotoscope artist: Gener8 |
| Gabriel Lopez | .. | stereo compositor |
| Lydia Lopez-Arteaga | .. | stereoscopic conversion artist |
| Beatriz Lorenzo | .. | effects technical director |
| Ashley Losada | .. | matchmover |
| Charlotte Loughnane | .. | visual effects producer: Double Negative |
| Steven Lovell | .. | roto artist: MPC |
| Leah Low | .. | matchmove lead: Double Negative |
| Rosella Lucherino | .. | stereoscopic compositor |
| Sophie Luto | .. | stereoscopic conversion artist |
| Michael Lyle | .. | bodytracking supervisor: Double Negative |
| Jamie Madill | .. | visual effects engineer |
| Arman Mafi | .. | stereoscopic compositor |
| Kevin Mah | .. | effects technical director: MPC |
| Raj Mahendran | .. | technical support |
| Liam Major | .. | rotoscope artist |
| Daniel Malig | .. | stereoscopic compositor |
| Jay Mallet | .. | motion control cameraman |
| Shivam Mallick | .. | stereo compositor |
| Finbar Mallon | .. | data operator: Cinesite |
| Brian Malmstrom | .. | digital artist / roto lead: The Base Studio |
| Rajesh Manayil | .. | animator/matchmove artist |
| Christina Mandia | .. | rotoanim artist: MPC |
| Manikandan | .. | lead paint/prep artist |
| Govindan Manivannan | .. | roto artist: The Moving Picture Company |
| Virgil Manning | .. | visual effects artist |
| Thomas Mansencal | .. | digital artist |
| Laura Marcato | .. | data operator: Cinesite |
| Mitchell Marciales | .. | track/matchmove artist |
| Sophie Marfleet | .. | roto/prep artist |
| Giorgio Marino | .. | digital compositor: MPC |
| Eric Marko | .. | matchmove artist: Tippett Studio |
| Filipe Marques | .. | stereo compositor: Animal Logic |
| Lilly Heart Marriott | .. | matchmove artist (as Terry Marriott) |
| Christopher Marshall | .. | previs artist: MPC |
| Nick Marshall | .. | roto/paint artist: Double Negative |
| Mel Martin | .. | visual effects coordinator |
| Neil Martin | .. | stereoscopic conversion artist |
| Will Martindale | .. | digital compositor: Double Negative |
| Fran Martinez | .. | digital compositor |
| Jérôme Martinez | .. | environment artist: MPC |
| Abner Marín | .. | visual effects artist |
| Stephen Mascarenhas | .. | stereoscopic conversion |
| Daniel Maskit | .. | digital artist |
| Dan Mason | .. | visual effects artist |
| Shawn Mason | .. | digital compositor: MPC |
| Francisco Massanet | .. | rotomation assistant lead |
| Rachel Matchett | .. | head of production: MPC |
| Jenna Mateo | .. | stereoscopic compositor |
| Sean Mathiesen | .. | visual effects supervisor: rising sun pictures |
| Javad Matoorian-Pour | .. | compositor |
| Karin Mattsson | .. | animator: Double Negative |
| David Mayhew | .. | lead hair and fur artist: MPC |
| Alan McCabe | .. | lighting artist: MPC |
| Peregrine McCafferty | .. | matchmove supervisor: Peanut FX |
| Marianne McCarney | .. | visual effects artist |
| Jason McDonald | .. | previs animator |
| Ben McEwan | .. | compositor: Animal Logic |
| Jonathan Mcfall | .. | visual effects artist |
| Marlin McGlone | .. | technical support |
| Ian McGonigal | .. | research and development: Double Negative |
| Scott McInnes | .. | matte artist |
| Ray McIntyre Jr. | .. | stereo fx supervisor: Pixel Magic |
| Chris McLaughlin | .. | technical director: Double Negative |
| Fiona McLean | .. | vfx production manager: MPC |
| Rick McMahon | .. | visual effects artist |
| James McPherson | .. | digital compositor |
| Dan McRae | .. | senior stereoscopic conversion prep artist |
| Paul McWilliams | .. | lighting technical director |
| Antonio Meazzini | .. | digital compositor |
| Alex Meddick | .. | visual effects editor: Rising Sun Pictures |
| Greg Meeres-Young | .. | lighting/shot technical director |
| Gurel Mehmet | .. | concept artist: Double Negative |
| Jignesh Mehta | .. | effects department manager |
| Sagar Mehta | .. | visual effects artist |
| Tobias Meier | .. | lighting artist: Cinesite / lighting technical director: Cinesite |
| Abigail Mendoza | .. | visual effects coordinator |
| Charlotte Merrill | .. | compositor |
| Károly Mesterházy | .. | environment technical director: MPC |
| Andre Metello | .. | character technical director: double negative |
| Ellie Meure | .. | digital compositor |
| Dennis Michel | .. | stereographer: I.E. Effects |
| Ellen E. Miki | .. | digital compositor |
| Michael Milano | .. | stereoscopic conversion artist |
| Mark Millena | .. | digital paint & roto artist: Framestore |
| Marzena Milowska | .. | paint & roto artist |
| Giacomo Mineo | .. | digital compositor |
| Carlos Miras Sepulveda | .. | vfx elements supervisor |
| Sangita Mistry | .. | compositor: Double Negative |
| Tamara Mitchell | .. | digital compositor: Rising Sun Pictures |
| John Moffatt | .. | visual effects supervisor |
| Buhas Mohammedunny P. | .. | digital artist: MPC (as Buhas Mohammedunny) |
| Vikram Mohan | .. | matchmove artist: Double Negative |
| Farhad Mohasseb | .. | senior compositor |
| Young Joon Mok | .. | digital compositor |
| Stephen Molyneaux | .. | digital artist |
| Dele Momoh | .. | ligthing & rendering technical director |
| Oliver Money | .. | visual effects producer |
| Massoud 'Ollie' Monsef | .. | matchmove artist: stereoscopic conversion |
| Olivier Montero | .. | roto/animation artist |
| Fernanda Moreno | .. | cg artist: Double Negative |
| Louis Morgan | .. | data operator: Cinesite |
| Stephen Moros | .. | matchmove artist |
| Dafydd Morris | .. | layout artist: MPC |
| Giuseppe Motta | .. | senior lighting technical director |
| Brad Moylan | .. | lead stereo compositor: Pixel Magic |
| Vamsi Krishna Mudraboina | .. | visual effects artist |
| Prasenjit Mukherjee | .. | roto/paint artist |
| Chris Mulcaster | .. | modelling and texturing: Cinesite |
| James Mulholland | .. | visual effects artist: BaseBlack |
| Bradley Mullennix | .. | technical director: I.E. Effects |
| Christopher Mullins | .. | animator: Tippett |
| Norah Mulroney | .. | digital compositor / stereoscopic conversion |
| Adriano Mulè | .. | digital compositor |
| Katy Mummery | .. | visual effects coordinator: Double Negative |
| Atyeb Muneer | .. | stereo compositor |
| Brian Murphy | .. | stereoscopic compositor |
| Shane Murphy | .. | roto artist |
| Sandra Murta | .. | layout artist: MPC |
| Jesh Murthy | .. | visual effects |
| Dominica Myles | .. | digital matchmove artist: Animal Logic |
| Ross Nakamura | .. | digital compositor: Tippett Studio |
| Jeff Nakao | .. | visual effects artist |
| Nandhakishore | .. | senior matchmove artist |
| Anita Naufal | .. | stereoscopic compositor |
| Evgueni Naverniouk | .. | rotomation artist: Gener8 |
| Gregory Nazarian | .. | stereoscopic compositor |
| Leo Neelands | .. | senior compositor: Cinesite |
| Ryan Neff | .. | matchmove artist |
| Marlene Nehls | .. | visual effects coordinator: MPC |
| Shaan Nelson | .. | rotoanim artist: The Moving Picture Company |
| Paul Nendick | .. | head of technology: Baseblack |
| Mervyn New | .. | visual effects artist |
| Stephen Newbold | .. | digital compositor: MPC |
| Alana Newell | .. | digital compositor (as Alana Aranki) |
| Elliot Newman | .. | asset supervisor |
| Stella Hui Sze Ng | .. | matchmove lead (as Ng Hui Sze Stella) |
| Antony Nguyen | .. | digital artist |
| Habib Niazi | .. | visual effects artist: double negative |
| Dillan Nicholls | .. | digital compositor: MPC |
| Carlos-Christian Nickel | .. | senior lighting technical director |
| Luke Niejadlik | .. | motion capture technician |
| Timo-Pekko Nieminen | .. | 3D artist |
| Tiziano Niero | .. | motion control assistant operator |
| John Niforos | .. | lead visual effects artist |
| Jamie Niman | .. | technical animator: MPC |
| Nirshid | .. | roto/prep-comp supervisor |
| Madhok Nisha | .. | roto artist: MPC |
| Thomas Nittmann | .. | visual effects producer: Lola Visual Effects |
| James Noorani | .. | visual effects editorial assistant: mpc |
| Victor Norberg | .. | digital compositor |
| Fredrik Nordbeck | .. | end credits designer |
| Kevin Norris | .. | roto/paint artist: Double Negative |
| Emma Norton | .. | visual effects producer |
| Marion Nove-Josserand | .. | lighting artist: Cinesite |
| Brian Nugent | .. | digital compositor |
| Barry O'Brien | .. | stereoscopic supervisor: Prime Focus |
| Tom O'Flaherty | .. | previs animator |
| Jim O'Hagan | .. | digital compositor: Double Negative |
| Cian O'Laoi | .. | view-d editor |
| Noel O'Malley | .. | tracking artist: Cinesite |
| Conor O'Mara | .. | visual effects artist |
| Timothy P. O'Shea | .. | production executive: The Base Studio |
| Conrad Olson | .. | compositor |
| Robert Olsson | .. | matte painter |
| Alban Orlhiac | .. | senior texture artist: Double Negative |
| Elaine Ormes | .. | matchmove artist: Double Negative |
| Nathan Ortiz | .. | digital effects artist |
| Sam Osborne | .. | digital compositor |
| Valerio Oss | .. | digital compositor: Union VFX |
| Matthew Ovens | .. | lighting technical director: MPC |
| Manish Pachauri | .. | roto & paint artist |
| Prashant M. Padol | .. | rotomation artist: Anibrain |
| Premamurti Paetsch | .. | effects/crowd technical director: Rising Sun Pictures |
| Daniel Painter | .. | roto/compositor: Animal Logic |
| Chris Paizis | .. | matchmove supervisor: Tippett Studio |
| Amanda Pamela | .. | compositor: Animal Logic |
| Guo Kun Pan | .. | render support: Framestore |
| Suresh Pandi | .. | roto artist: MPC |
| Blaise Panfalone | .. | visual effects coordinator |
| Gurpreet Singh Pannu | .. | matchmove artist: MPC |
| Zissis Papatzikis | .. | visual effects |
| Alexandra Papavramides | .. | digital compositor: Double Negative |
| Priyank Parekh | .. | rotoscopy artist |
| James Parente | .. | cloth technical director: Rising Sun Pictures |
| Puja Parikh | .. | matchmove lead: The Moving Picture Company |
| Emanuele Paris | .. | visual effects artist |
| Adam Parker | .. | prep artist: Framestore |
| Clark Parkhurst | .. | visual effects supervisor: Lola VFX |
| Jim Parsons | .. | senior compositor: Cinesite |
| Steve Parsons | .. | compositor |
| Lawrence Pasion | .. | character modeler: Cinesite |
| Kartik Rajul Patel | .. | cleanup artist |
| Nikul Patel | .. | visual effects |
| Radhika Patel | .. | matchmove artist: Framestore |
| Vishal Patel | .. | effects td: Cinesite |
| John A. Patterson | .. | effects td: Cinesite |
| Aragon Pawson | .. | compositor |
| Christopher Payne | .. | vfx editorial assistant: Double Negative |
| Eloise Rachael Payne | .. | rotoscope artist: Double Negative |
| Soren Bendt Aaboe Pedersen | .. | visual effects artist (as Soeren Bendt Pedersen) |
| Justin Peer | .. | set matchmove technician |
| Laurie Pellard | .. | studio: double negative |
| Cecile Peltier | .. | digital compositor: MPC |
| Anshul Pendse | .. | rendering technical director: MPC |
| Caleb Pennypacker | .. | matchmove artist |
| Miriam Pepper-Parsons | .. | senior matchmove artist: Cinesite (as Miriam Pepper) |
| Enrico Perei | .. | senior digital compositor |
| Ana Sofia Mestre de Almeida Pereira | .. | compositor: Double Negative (as Ana Mestre) |
| Nuno Nisa Pereira | .. | visual effects technical director: MPC |
| Jonathan Perez | .. | matchmove artist |
| Menelaos Peristeridis | .. | paint artist: Prime Focus London |
| Angelo Perrotta | .. | compositor: Cinesite / senior compositor and comp td |
| Josh Peterson | .. | stereoscopic roto artist |
| Matteo Petricone | .. | compositor: Cinesite (as Petricone Matteo) / digital compositor: Cinesite (as Petricone Matteo) |
| Daniel Pettipher | .. | production manager: Cinesite |
| Sean Pfeiffer | .. | roto artist: Lola VFX |
| Andy Phillips | .. | rigger |
| Brad Phillips | .. | stereoscopic compositor: I.E. Effects |
| Kate Phillips | .. | visual effects producer: Baseblack |
| Rob Pieke | .. | senior software engineer: MPC |
| Kevin Pierce | .. | lead compositor |
| Nick Pill | .. | digital effects artist |
| Michael Pilling | .. | digital artist |
| Jorge Pimentel | .. | lighting & lookdev technical director |
| James Pina | .. | stereoscopic roto supervisor |
| Andrew Pinson | .. | digital paint & roto artist: Framestore (as Andy Pinson) |
| George Plakides | .. | visual effects artist |
| Ed Plant | .. | visual effects artist |
| Marine Poirson | .. | lighting technical director |
| Jason Pomerantz | .. | production supervisor (IMAX version) |
| Pietro Ponti | .. | lead artist: Double Negative |
| Lee Chan Popo | .. | paint and roto artist |
| Kate Porter | .. | digital compositor |
| Tim Pounds-Cornish | .. | visual effects production manager |
| Donna Poynton | .. | roto/prep lead: MPC |
| Ashvini R. Prabhu | .. | compositor |
| Jadhav Prashant | .. | rotomation arist |
| Kumar Praveen | .. | roto and paint |
| Rajasekar Prince | .. | matchmove artist: MPC |
| Richard Pring | .. | view-d editor |
| Emily Probert | .. | stereo compositor: Animal Logic |
| Jean-Colas Prunier | .. | head of department: MPC |
| Ramprasad Puli | .. | visual effects artist |
| James Purdy | .. | visual effects coordinator |
| Ryan Purnell | .. | compositor: ICO VFX |
| Katherine Pursey | .. | visual effects artist |
| Eugene Purugganan | .. | senior systems engineer: Animal Logic |
| Sonny Pye | .. | digital compositor |
| Simon Pynn | .. | matchmove supervisor: Double Negative |
| Maickel Quinet | .. | paint & roto artist |
| Simon Rafin | .. | digital compositor |
| Søren Ragsdale | .. | cg lighting artist: Double Negative |
| Shahriar Rahman | .. | stereoscopic compositor |
| Chandraji Tharanga Rajakaruna | .. | stereoscopic compositor |
| Velmurugan Rajamani | .. | stereo roto artist: EFX |
| Komal Rajput | .. | tracking & matchmove artist |
| Vikas Rajput | .. | art lead |
| Ludovic Ramisandraina | .. | effects technical director: MPC |
| Nick Rampling | .. | digital artist |
| Rebecca Ramsey | .. | visual effects producer: Gradient Effects |
| Mayec Rancel | .. | effects technical director |
| Eliza Pelham Randall | .. | vfx supervisor: View-D & Feature VFX Training & Production, Prime Focus |
| Ambrish Rangan | .. | matchmove artist: MPC |
| Jennah Rasmussen | .. | department manager |
| Satish Ratakonda | .. | digital compositor: Tippett Studio |
| Ankitsingh Rathor | .. | stereoscopic compositor |
| Daniel Rauchwerger | .. | digital compositor / visual effects: Double Negative |
| Dipak Raval | .. | roto/prep artist |
| Julien Record | .. | digital compositor |
| Cory Redmond | .. | lighting technical director |
| Richard R. Reed | .. | compositing lead: Double Negative |
| Sam Reed | .. | visual effects artist |
| Tom Reed | .. | head of rigging: MPC |
| Siân Rees | .. | paint & roto artist |
| Julia Reinhard | .. | compositing lead: Double Negative |
| Kristian Rejek | .. | digital compositor: MPC |
| Mike Rhone | .. | visual effects technical director: Double Negative |
| Marc Rice | .. | paint & rotoscoping supervisor |
| Tania Richard | .. | visual effects artist: Double Negative |
| Jason Richardson | .. | stereoscopic compositor |
| Rob Richardson | .. | effects artist |
| Dean Richichi | .. | compositor |
| Rob Ride | .. | matchmove artist |
| Chad Ridgeway | .. | stereoscopic roto artist: The Base Studio |
| Martin Riedel | .. | digital compositor: MPC |
| Christopher Riemann | .. | digital compositor: Gradient FX |
| Jordi Riera | .. | software developer: MPC |
| Viktor Rietveld | .. | fx supervisor |
| Rory Riggins | .. | track/matchmove artist |
| Laszlo Rikker | .. | stereoscopic compositor |
| Adriano Rinaldi | .. | lead effects technical director: MPC |
| Wesley Roberts | .. | 2d artist: Double Negative / visual effects artist: Double Negative |
| Andy Robinson | .. | digital effects supervisor: Cinesite |
| Philip J. Robinson | .. | matchmove artist |
| Brian Rogers | .. | visual effects producer/3D production supervisor: IE Effects |
| Gal Roiter | .. | lighting technical director: Double Negative |
| Daniel Roizman | .. | stereoscopic pipeline |
| Austin Ronald | .. | roto/prep artist |
| Charles Rose | .. | CG supervisor |
| Tara Roseblade | .. | digital compositor |
| Gavin Round | .. | 3D production supervisor: Warner Brothers |
| Julien Rousseau | .. | digital compositor |
| Isabelle Rousselle | .. | senior digital matte painter: MPC |
| Craig Rowe | .. | digital compositor |
| Trevor Rowland | .. | stereoscopic technical art director |
| Tumi Rufai | .. | stereoscopic compositor |
| Rosi Ruiz | .. | stereoscopic conversion lead artist |
| Karl Rumpf | .. | stereo conversion production manager: ICO VFX |
| Katya Ruslanova | .. | compositor: Cinesite (as Ruslanova Katya) / digital compositor (as Ruslanova Katya) |
| Leigh Russell | .. | texture artist |
| Timothy Russell | .. | cg artist: Double Negative |
| James Rustad | .. | visual effects artist |
| Andrey Ryabovichev | .. | concept artist |
| Sajeev Sadanandan | .. | matchmove artist: The Moving Picture Company |
| Stephanie Saillard | .. | digital compositor |
| Florian Salanova | .. | lighting technical director: Double Negative |
| Rhys Salcombe | .. | modeller: Double Negative |
| Miguel A. Salek | .. | visual effects |
| Sam Salek | .. | paint & roto artist: Framestore |
| Avi Salem | .. | compositor (stereoscopic conversion) |
| Bhushan Salgaonkar | .. | rotoscope artist: Prime Focus |
| Alessandro Salis | .. | stereoscopic compositor |
| Matthew Salisbury | .. | matchmove artist: Double Negative |
| Peter Salter | .. | matchmove artist: MPC |
| Sean Samuels | .. | digital matte painting artist: MPC |
| Olov Samuelsson | .. | compositor: Double Negative |
| Steven Sandles | .. | cloth lead: MPC |
| Jim Sandys | .. | senior animatronic model designer |
| Mohan Sangeeth | .. | production coordinator: MPC |
| Sable Sanjiv | .. | senior stereoscopic compositor |
| Sribalaji Santharam | .. | digital artist |
| B.S. Rajkumar Sapate | .. | matchmove artist: The Moving Picture Company |
| Kyri Saphiris | .. | production accountant: Cinesite |
| Tarkan Sarim | .. | digital artist: MPC |
| Aniruddha Satam | .. | roto/prep artist: Double Negative |
| Harshad Sawant | .. | roto artist: prime focus |
| Geoff Sayer | .. | senior compositor |
| Sabrina Scalfari | .. | visual effects line producer: MPC |
| Lena Scanlan | .. | visual effects production manager: MPC |
| William Schaeffer | .. | digital compositor (as Bill Schaeffer) |
| Jeremy Schichtel | .. | visual effects artist |
| Jordan Schilling | .. | digital compositor: MPC |
| David Schnee | .. | compositing supervisor: Tippett Studio |
| David Schrijn | .. | rotoscope artist |
| Julie Schultz | .. | visual effects coordinator (as Julie Podolski) |
| Jamie Schumacher | .. | stereoscopic conversion lead |
| Tom Schwarz | .. | rendering technical director |
| Michele Sciolette | .. | head of visual effects technology: Cinesite |
| Paul Scott | .. | compositor |
| Simon Scott | .. | animation editor: MPC |
| Andrew E. Scrase | .. | matchmove supervisor |
| Alexander Seaman | .. | effects animation supervisor: Double Negative |
| Robert Seaton | .. | lighting td |
| Pedro Seixas | .. | stereoscopic paint artist |
| Debapriya Senanayak | .. | compositor |
| Felix Serwir | .. | stereoscopic conversion compositor |
| Nidhi Seth | .. | production coordinator |
| Gianfranco Sgura | .. | digital compositor |
| Aatesh Shah | .. | systems engineer: Framestore |
| Swati Shamsundar Malu | .. | matchmove artist: The Moving Picture Company |
| Steven Shapiro | .. | stereoscopic compositor |
| Michael Sharck | .. | stereoscopic conversion compositor |
| Maryam Sharifi | .. | stereoscopic conversion compositor |
| Rahul Sharma | .. | digital artist |
| Sushant Sharma | .. | Senior Stereo Compositor |
| Chris Shaw | .. | visual effects supervisor |
| Matthew Shaw | .. | digital compositor |
| Steve Shearston | .. | effects td: Cinesite |
| Rushikesh Shelar | .. | visual effects artist |
| Ceylan Shevket | .. | head of techanim |
| Swain Shiv | .. | visual effects artist |
| Avdesh Shukla | .. | paint supervisor |
| Davide Sibilia | .. | effects technical director: MPC |
| Prasanna Siddharthan | .. | digital compositor: Gradient Effects |
| Dominic Sidoli | .. | visual effects executive producer: Double Negative |
| Brian Silva | .. | lighting technical director: Double Negative |
| Joseph Silva | .. | lead artist: I.E. Effects |
| Martin Simcock | .. | compositor |
| Scott Simmons | .. | visual effects artist |
| Christian Simon | .. | digital compositor: MPC |
| Keith D. Simpson | .. | roto lead: The Base Studio |
| Bruno Simões | .. | lead previs artist: MPC |
| Scott Singer | .. | visual effects |
| Chandan Singh | .. | compositor |
| Nitin Singh | .. | production coordinator: paint & prep |
| Tj Singh | .. | matchmove artist: Cinesite |
| Philip Sisk | .. | stereo compositor |
| John Sissen | .. | lead tracking artist: Cinesite |
| Karl Sisson | .. | digital matte painter: Cinesite / lighting technical director: Cinesite |
| Jacob Slutsky | .. | lighting td |
| Anton Smit | .. | visual effects |
| Dane Allan Smith | .. | stereoscopic producer |
| Jeremy Smith | .. | visual effects artist |
| Sarah Smith | .. | visual effects coordinator: I.E. Effects |
| Tammy Smith | .. | digital compositor: Double Negative |
| Jean-David Solon | .. | concept artist: Cinesite |
| Jeremy Son | .. | digital compositor |
| Na Song | .. | senior modeler & texture artist: Cinesite |
| Ryan Soule | .. | rotoscope artist |
| Roy Soumyadipta | .. | roto animator |
| Henry South | .. | cg modeler |
| Danny Southard | .. | animator: Tippett Studio |
| Chris Soyer | .. | visual effects artist |
| John C. Sparks | .. | senior visual effects artist: MPC |
| Reina Sparks | .. | digital matte painter: MPC |
| Eliot Speed | .. | visual effects artist: Double Negative |
| Jeff Speetjens | .. | digital artist |
| Michael Spitzmiller | .. | lead stereoscopic compositor: Sassoon Film Design |
| Elliot Staker | .. | matchmover: Cinesite |
| Stephanie Jean Staunton | .. | digital compositor |
| Richard Stay | .. | compositor |
| Jim Steel | .. | senior digital compositor |
| Petter Steen | .. | visual effects artist: Double Negative (as Petter Folkevall) |
| Martin Stegmayer | .. | digital compositor |
| Kasy Stein | .. | stereo compositor |
| Noga Alon Stein | .. | visual effects coordinator |
| Mark Stepanek | .. | senior lighting artist: Cinesite |
| Laurence Stern | .. | tracker/matchmover |
| Andy Stevens | .. | visual effects editor: Cinesite |
| Charlie Stewart | .. | assistant visual effects editor: MPC |
| Michele Stocco | .. | effects technical director: MPC |
| Shelby Stong | .. | integration artist |
| Sheldon Stopsack | .. | lighting supervisor: MPC |
| Sean Stranks | .. | compositing supervisor: Double Negative |
| Grant Street | .. | senior systems engineer: Animal Logic |
| David Philip Stripinis | .. | visual effects |
| Maria Stroka | .. | vfx production manager |
| Mary Stroumpouli | .. | roto/paint: Double Negative |
| Mirek Suchomel | .. | visual effects compositor |
| Aline Sudbrack | .. | effects technical director |
| David Sullivan | .. | roto/paint supervisor |
| Vinayaga Sundar | .. | digital artist: MPC |
| Fredrik Sundqvist | .. | cg supervisor |
| Richard Surridge | .. | render technical assistant |
| Tammy Sutton | .. | stereographer/stereoscopic supervisor: Pixel Magic |
| Simon Hjalti Sverrisson | .. | matchmove artist: Framestore |
| Alexander Swann | .. | digital paint & roto artist |
| Philip Swart | .. | stereoscopic conversion artist |
| Makana Sylva | .. | stereoscopic compositor: Pixel Magic |
| Nicholas Symons | .. | animator (as Nick Symons) |
| Peter Szewczyk | .. | look development |
| Albert Szostkiewicz | .. | effects technical director: Rising Sun Pictures |
| Jeremy Séguin | .. | compositor: Cinesite / digital compositor |
| Heiko Sülberg | .. | visual effects artist |
| Ronald Tacsion | .. | rotoscope artist |
| Neil Russell Tan | .. | rotoscope: Gener8 |
| Olcun Tan | .. | visual effects supervisor: Gradient Effects |
| Sahil Tandial | .. | matchmove artist: The Moving Picture Company |
| Jm Tangsoc | .. | rotoscope artist: Gener8 |
| Thomas Tannenberger | .. | visual effects producer: Gradient Effects |
| Ruggero Taschini | .. | vfx td |
| Michael Taylor | .. | production executive: Rising Sun Pictures |
| Paul Taylor | .. | visual effects editor: Rising Sun Pictures |
| Michelle Teefey-Lee | .. | visual effects coordinator |
| Harihar Thaker | .. | stereo conversion artist |
| Sawan Thakrar | .. | matchmove artist: Cinesite |
| Damien Thaller | .. | lead digital matte painter |
| Olivier Thibaut | .. | senior software developer: MPC |
| Joseph Thomas M. | .. | matchmove artist |
| Ben Thomas | .. | matchmove artist |
| Chris Thomas | .. | visual effects artist |
| Promod Thomas | .. | digital artist |
| Andrew K. Thompson | .. | paint/prep artist |
| Nick Thompson | .. | stereoscopic coordinator |
| Stephen Thornhill | .. | visual effects artist: Double Negative |
| Samantha Thrupp | .. | vfx production coordinator: Animal Logic |
| Richard Thwaites | .. | visual effects: Rising Sun Pictures |
| Andrew E. Tilles | .. | visual effects i/o: ICO VFX |
| Ashley Tilley | .. | visual effects artist |
| Raymond Tjernstrom | .. | visual effects |
| Marie Tollec | .. | research & development: Double Negative |
| Helder Tomas | .. | matchmove artist / tracking artist: Cinesite |
| Christian Tomikowski | .. | digital compositor |
| Chris Tomkins | .. | 3D support |
| Mark Tompkins | .. | concept artist |
| Alexander Toms | .. | compositor |
| Josselin Tonnellier | .. | effects technical director: MPC |
| Elena Topouzoglou | .. | digital compositor |
| Oscar Tornincasa | .. | digital compositor |
| James Tottman | .. | visual effects artist: MPC |
| Will Towle | .. | camera tracker |
| Patrick Trahan | .. | stereo depth artist |
| Iva Trajkovic | .. | stereo conversion artist: Prime Focus |
| Sanju Travis | .. | digital compositor |
| Shreedhra Trehan | .. | rotoscopy: MPC |
| Vipin Tripathi | .. | stereo roto artist |
| Shannon Triplett | .. | vfx production coordinator: ICO VFX |
| Christine Troianello | .. | roto/prep supervisor: MPC |
| Chia-Chi Tseng | .. | stereoscopic compositor |
| Eric Tsui | .. | generalist td: Baseblack |
| James Turner | .. | vfx production assistant: MPC |
| Jonathan Turner | .. | paint & roto artist: Framestore |
| Niki Turpin | .. | compositor: Double Negative |
| Barry R. Tuttle | .. | coordinator: The Base Studio |
| Matthew Twyford | .. | visual effects supervisor: Baseblack |
| Kat Tysoe | .. | studio: double negative: Double Negative |
| Yuki Uehara | .. | flame artist |
| Chris Ung | .. | digital effects artist: Double Negative |
| Jon Uriarte | .. | digital compositor |
| Nilesh Uttarwar | .. | compositor |
| Gnanasundaram Vadivel | .. | matchmove artist: MPC |
| Pan Vafeiadis | .. | stereoscopic conversion artist |
| Arturs Vaitilavics | .. | stereoscopic conversion artist |
| Janis Vaitilavics | .. | stereoscopic conversion artist |
| Mauricio Valderrama | .. | compositor: Rising Sun Pictures |
| Jonny Vale | .. | visual effects marketing: MPC |
| Gianfranco Valle | .. | effects technical director |
| Vladimir Valovic | .. | digital compositor: MPC |
| Leigh van der Byl | .. | texture painter: The Moving Picture Company |
| Jozef van Eenbergen | .. | pipeline developer |
| Courtney Vanderslice | .. | executive producer: Cinesite |
| Robert Vanderstelt | .. | stereoscopic compositor: I.E. Effects |
| Jayme Vandusen | .. | stereoscopic compositor |
| Cameron VanHook | .. | visual effects artist |
| Carol VanHook | .. | stereoscopic lead |
| Mohit Varde | .. | stereoscopic conversion artist: Prime Focus |
| Sherin Varghese | .. | roto artist |
| Vasantharajan.g.d | .. | matchmove artist |
| Gianluca Vatinno | .. | research and development: Double Negative |
| Frederick B. Vega | .. | pipeline technical assistant: Tippett Studio |
| Sebastien Veilleux | .. | digital compositor |
| Damodaran Venkatesan | .. | matchmove artist: The Moving Picture Company |
| Arpita Venugopal | .. | effects technical director: MPC |
| Aurelio x. Vera Jr. | .. | stereoscopic compositor |
| Jeanette Vera | .. | rotoscope artist: The Base Studio |
| Monica Verdu | .. | compositor: Cinesite |
| Felipe Verdugo | .. | digital effects artist |
| David Vickery | .. | visual effects supervisor: Double Negative |
| Jesse Vickery | .. | character animator |
| Duarte Victorino | .. | effects technical director: MPC |
| Sarah D. Vigil | .. | stereoscopic rotoscope artist |
| Nisha Vijayan | .. | visual effects coordinator |
| Sukumaran Lalithambika Vijin | .. | senior roto/paint artist: MPC |
| Johan Vikstrom | .. | compositor: MPC |
| Dani Villalba | .. | lighting technical director: Double Negative |
| Anthony Vingas | .. | stereoscopic roto artist |
| Radu Vintila | .. | lead systems engineer: Animal Logic |
| Keven Viragh-Begert | .. | visual effects artist |
| Gopalarathinam Viswanathan | .. | digital artist |
| Marion Voignier | .. | stereo compositor: Animal Logic |
| Carlo Volpati | .. | digital artist |
| Holger Voss | .. | digital effects supervisor: Cinesite |
| Kenneth Voss | .. | roto/paint artist: Tippett Studio |
| Victor Wagner | .. | visual effects artist |
| Maggie Walby | .. | digital paint and roto artist: Framestore |
| Nathan Walster | .. | visual effects artist |
| Karen Wand | .. | compositor: Cinesite |
| Tim Warnock | .. | matte painter |
| Thomas Warrender | .. | digital artist |
| Malcolm Watts | .. | matchmove |
| Jeremy Webber | .. | senior systems engineer: Animal Logic |
| Candice Weber | .. | roto artist |
| Ollie Weigall | .. | compositor: Cinesite |
| Diana Marie Wells | .. | digital effects artist |
| Glenn Wells | .. | matchmove artist |
| Jason Wen | .. | visual effects artist: MPC |
| Holly Wenger | .. | matchmover lead / tracking lead |
| Daniel Wennerholm | .. | stereoscopic conversion artist |
| Neil West | .. | lighting td |
| Kyle Wetton | .. | vfx production coordinator: MPC |
| Andrew Wheater | .. | texture painter: Cinesite |
| Vaughn White | .. | matchmove artist: Animal Logic |
| James Whitlam | .. | visual effects executive producer: Rising Sun Pictures |
| Todd Widup | .. | senior rigger: MPC |
| Ruth Wiegand | .. | rigger |
| Aaron Wiesinger | .. | stereoscopic compositor |
| Matthew Wigg | .. | visual effects editor: Rising Sun Pictures (as Matt Wigg) |
| Ross Lee Wilkinson | .. | matchmove artist: double negative |
| William Marshall Wilkinson | .. | assistant visual effects editor: Cinesite |
| Amielia Williams | .. | production assistant: MPC (as Amie Cox) |
| Edson Williams | .. | vfx technical supervisor: Lola Visual Effects |
| Ben Wilson | .. | stereo compositor: Animal Logic |
| Chris Wilson | .. | 3D lighting artist: MPC |
| Kirsty Wilson | .. | visual effects production manager |
| Blake Winder | .. | digital compositor: MPC |
| Oliver Winwood | .. | effects technical director: MPC |
| Martin Wiseman | .. | visual effects producer: Rising Sun Pictures |
| David B. Wolgemuth II | .. | digital compositor |
| Ammann Christine Wong | .. | sequence lead (as Christine Wong) |
| Annie V. Wong | .. | digital compositor: Double Negative |
| Graham Wood | .. | machmove artist |
| Max Wood | .. | cg supervisor |
| Rory Woodford | .. | digital modeler: MPC |
| Keith Woodhams | .. | digital effects artist |
| Alan Woods | .. | visual effects artist |
| Michael Wortmann | .. | lead effects technical director |
| Sammy Wu | .. | paint & roto artist |
| Gee Xiong | .. | lead stereo compositor |
| Sunil Kumar Yadav | .. | stereoscopic roto artist |
| Reza Ghulam Yahya | .. | rotoscope artist |
| Zhou Yan | .. | matchmoving artist: 3D conversion China (as Yan Zhou) |
| Alvin Yap | .. | effects technical director: Framestore |
| Aviv Yaron | .. | vfx photographer: Cinesite |
| Jeremy Yeo-Khoo | .. | digital artist |
| Richard Yeomans | .. | visual effects production supervisor: Warner Brothers |
| Ben Ying | .. | stereo compositor: Animal Logic |
| Fabien Yorgandjian | .. | modeling artist / texture artist |
| Leanne Young | .. | visual effects editor: Double Negative |
| Olly Young | .. | vfx turnover supervisor: Warner Brothers |
| Sarah K. Young | .. | stereoscopic conversion/compositor: Gener8 3D |
| Tim Young | .. | digital compositor: Baseblack |
| Cobol Yu | .. | digital artist |
| Borislava Zahova | .. | stereoscopic compositor |
| Alessandro Zanforlin | .. | digital compositor: MPC |
| Luca Zappala | .. | effects lead: Double Negative |
| Jennie Zeiher | .. | bidding coordinator: Rising Sun Pictures |
| Dan Zelcs | .. | lead rigger: MPC |
| Mohand Zennadi | .. | senior technical director: lighting |
| Ian Abbott | .. | production support: Cinesite (uncredited) |
| Kanika Andrew | .. | rotoscope artist (uncredited) |
| Heath Baker | .. | compositor/paint & roto artist: Rising Sun Pictures (uncredited) |
| Keith Barton | .. | production support: Cinesite (uncredited) |
| Amy Besate | .. | junior vfx coordinator (uncredited) |
| Magno Borgo | .. | stereoscopic roto artist (uncredited) |
| Dhiraj Brahma | .. | senior roto/prep artist: MPC India (uncredited) |
| Tasha Brotherton | .. | stereoscopic compositor (uncredited) |
| Ethan Casper | .. | rotomation artist (uncredited) |
| Max Jin Yaw Chan | .. | matchmove artist: Double Negative (uncredited) |
| Christopher Collis | .. | visual effects editorial assistant: MPC (uncredited) |
| Karthik Kumar Durairaj | .. | paint and prep artist: Future Works (uncredited) |
| Debarghya Dutta | .. | lead stereo compositor (uncredited) |
| Rob Geddes | .. | stereoscopic roto artist (uncredited) |
| Eduardo Gonçalves | .. | stereoscopic roto artist (uncredited) |
| Katie Goodwin | .. | visual effects editor: DNeg (uncredited) |
| Adam Gritt | .. | effects software developer: MPC (uncredited) |
| Jessica Grzech | .. | stereoscopic conversion compositor (uncredited) |
| Emmanuel Guevarra | .. | rotomation artist: Gener8 (uncredited) |
| Simon Herden | .. | junior visual effects artist: RSP (uncredited) |
| Kay Hoddy | .. | senior paint and roto artist (uncredited) |
| Chris Holmes | .. | production executive: ICO VFX (uncredited) |
| Susan Immonen | .. | junior visual effects artist: RSP (uncredited) |
| Prerana Jaiswal | .. | paint/prep artist: MPC (uncredited) |
| Colin Jenken | .. | technical director (uncredited) |
| Marek Jezo | .. | rotoscope artist: The Base Studio (uncredited) |
| Uday Joshi | .. | vfx production assistant: MPC (uncredited) |
| Nirmal Kumar | .. | rotoscope artist (uncredited) |
| Nicholas Lambert | .. | stereoscopic roto artist (uncredited) |
| Tze Ken Lim | .. | matchmove artist: Double Negative (uncredited) |
| Chris Liu | .. | production coordinator: Sassoon Film Design (uncredited) |
| Taz Lodder | .. | technology support manager: Double Negative (uncredited) |
| Rajavel Loganathan | .. | stereoscopic roto lead (uncredited) |
| Armando Lombardo | .. | stereoscopic conversion artist (uncredited) |
| Russell MacKenzie | .. | stereographic engineer (uncredited) |
| Lou Mancilla | .. | Stereoscopic compositor (uncredited) |
| Douglas McHale | .. | visual effects (uncredited) |
| Christophe Meslin | .. | head of systems (uncredited) |
| Mujammil Mulla | .. | roto prep (uncredited) |
| Nicole Nagata | .. | compositor (uncredited) |
| Phil Outen | .. | Compositor: Animal Logic (uncredited) |
| Daniel Powter | .. | data lead: Animal Logic (uncredited) |
| Mark Prusten | .. | lead compositor (uncredited) |
| Shane Rabey | .. | compositor (uncredited) |
| Balaji Ramakrishna | .. | digital artist, MPC, India (uncredited) |
| Vaishali Rana | .. | stereo compositor (uncredited) |
| Paulo Rego | .. | research and development: Double Negative (uncredited) |
| Ron Rhee | .. | visual effects artist (uncredited) |
| Fredrik Rönnvall | .. | systems administrator: Double Negative (uncredited) |
| Ray Scalice | .. | general manager: Pixel Magic (uncredited) |
| Arun Sharma | .. | roto artist (uncredited) |
| Sarabjeet Singh | .. | stereo roto artist (uncredited) |
| Thomas Sydnor | .. | stereoscopic rotoscope artist: The Base Studio (uncredited) |
| David Tesch | .. | research & development software engineer (uncredited) |
| Nick Thyssen | .. | compositor (uncredited) |
| Nick van Diem | .. | technical support: Double Negative (uncredited) |
| Vanessa Velasquez | .. | Technology: Double Negative (uncredited) |
| Helga Victoria | .. | matchmover: Double Negative (uncredited) |
| Johan Walfridson | .. | pipeline technical director: Cinesite (uncredited) |
| J. Thomas Wilson | .. | stereoscopic depth artist (uncredited) |
| Cao Ye | .. | matchmove artist: Double Negative (uncredited) |
| Edward Paul Yu | .. | matchmove artist: SFD (uncredited) |
| Lucy Allen | .. | stunts |
| Mark Archer | .. | stunts |
| Cane Armitage | .. | snatcher |
| Nina Armstrong | .. | stunts |
| Gary Arthurs | .. | stunt performer |
| Martin Bayfield | .. | stunts |
| Richard Bradshaw | .. | stunts |
| Adam Brashaw | .. | stunts |
| Greg Burridge | .. | stunt performer |
| Nellie Burroughes | .. | stunt double: Maggie Smith / stunt performer |
| Michael Byrch | .. | stunts |
| Marvin Campbell | .. | stunts |
| Annabel Canaven | .. | stunts |
| Marc Cass | .. | stunts |
| Nick Chopping | .. | stunt double |
| Jonathan Cohen | .. | stunt performer |
| Talila Craig | .. | stunts |
| Sam Creed | .. | stunt double: Andrew Warren |
| David Cronnelly | .. | stunts |
| Graeme Crowther | .. | stunts |
| Clive Curtis | .. | stunts |
| Matt Da Silva | .. | stunt performer |
| Nicholas Daines | .. | stunt performer |
| Ray De-Haan | .. | stunts |
| Sam Dent | .. | stunts |
| Jim Dowdall | .. | stunts |
| Tracey Eddon | .. | stunts |
| Jamie Edgell | .. | stunts |
| Rick English | .. | stunt performer |
| Bradley Farmer | .. | stunt double: Jason Isaacs |
| Dave Fisher | .. | stunts |
| Elaine Ford | .. | stunt performer / stunts |
| Pete Ford | .. | stunts |
| Amanda Foster | .. | stunts |
| Grace Franzl | .. | stunts |
| Sarah Franzl | .. | assistant stunt coordinator |
| Aldonio Danny Frietas | .. | stunt performer (as Aldonio Danny Freitas) |
| Jade Gordon | .. | stunt secretary |
| James Grogan | .. | stunts |
| Richard Hammatt | .. | stunt performer |
| Bobby Holland Hanton | .. | stunts |
| Rhys Henson | .. | stunts |
| Jeremy Hill | .. | stunt double: Robbie Coltrane |
| Nick Hobbs | .. | stunts |
| David Holmes | .. | stunt double: Daniel Radcliffe |
| Jamie Hull | .. | stunt performer |
| Rob Hunt | .. | stunts |
| Eunice Huthart | .. | stunts |
| Rob Inch | .. | stunts |
| Hannah Jones | .. | stunt performer |
| Ian Kay | .. | stunts |
| Tolga Kenan | .. | stunts |
| Paul Kennington | .. | stunts |
| Martin Klebba | .. | utility stunts |
| Anthony Knight | .. | stunt performer |
| Cristian Knight | .. | stunt performer |
| Paul Kulik | .. | stunt double |
| Mike Lambert | .. | stunts |
| Bryn Lawrence | .. | stunt department assistant director |
| Derek Lea | .. | stunts |
| Maurice Lee | .. | stunts |
| Nicholas Lewis | .. | stunts |
| Ian Longstaff | .. | stunts |
| Paul Lowe | .. | stunts |
| Tony Lucken | .. | stunts |
| Russell MacLeod | .. | stunt performer |
| Marc Mailley | .. | stunt double: Daniel Radcliffe |
| Kai Martin | .. | stunts |
| Tina Maskell | .. | stunts |
| Kim McGarrity | .. | stunts |
| Juliet McGill | .. | stunt performer |
| Nick McKinless | .. | stunt double / stunt double: mad eye moody |
| Jo McLaren | .. | stunts |
| Andy Merchant | .. | stunts |
| Peter Miles | .. | stunts |
| Lee Millham | .. | stunt performer |
| Jamie Millington | .. | stunt performer |
| Sian Milne | .. | stunt performer |
| Mark Mottram | .. | stunts |
| Rory Mulroe | .. | stunt performer |
| Daniel Naprous | .. | stunts |
| Ryan Newberry | .. | stunt performer |
| David Newton | .. | stunt performer |
| Brian Nickels | .. | stunts |
| James O'Donnell | .. | stunt performer |
| Ian Pead | .. | stunt performer |
| Justin Pearson | .. | stunt performer |
| Peter Pedrero | .. | stunts |
| Andy Pilgrim | .. | stunt performer |
| Chris Pollard | .. | stunt performer |
| Mike Potter | .. | stunts |
| Greg Powell | .. | stunt coordinator |
| Tilly Powell | .. | stunt performer |
| Dominic Preece | .. | stunt performer |
| Kierron Quest | .. | stunt performer / stunts |
| Alison Ryan | .. | stunt performer |
| Gordon Seed | .. | stunt performer |
| Marcus Shakesheff | .. | stunt performer |
| John Sharpe | .. | stunts: death eater |
| Curtis Rowland Small | .. | stunt performer |
| C.C. Smiff | .. | stunts |
| Helen Steinway Bailey | .. | stunts |
| Matthew Stirling | .. | stunt performer |
| Ryan Stuart | .. | stunts |
| Mens-Sana Tamakloe | .. | stunt performer |
| David Tanner | .. | safety diver |
| Rocky Taylor | .. | stunts |
| Roy Taylor | .. | stunt performer |
| Arran Topham | .. | stunt performer |
| Tony Van Silva | .. | stunts |
| Andy Wareham | .. | stunt performer |
| Calvin Warrington-Heasman | .. | stunt performer |
| Marlow Warrington-Mattei | .. | stunt performer |
| Reg Wayment | .. | stunt performer |
| Bill Weston | .. | stunts |
| Jason White | .. | stunt knight / stunt performer |
| Peter White | .. | stunts |
| Joanna Whitney | .. | stunt double: Emma Watson |
| Maxine Whittaker | .. | stunts |
| Simon Whyman | .. | stunt performer |
| Martin Wilde | .. | stunts |
| Donna Williams | .. | stunts |
| Lewis Young | .. | stunts |
| Bruce Cain | .. | stunt double: Guy Henry (uncredited) |
| Rowley Irlam | .. | assistant stunt coordinator (uncredited) |
| Jonathan Ames | .. | video assistant: dailies |
| Dave Armstrong | .. | grip (as David Armstrong) |
| Kenneth Atherfold | .. | key grip (as Kenny Atherfold) |
| Marc Atherfold | .. | first assistant camera: second unit |
| Sophie Baggaley | .. | video assist trainee: second unit, dailes |
| Darren Bailey | .. | grips libra technician |
| Sebastian Barraclough | .. | additional second assistant camera |
| Anthony Benjamin | .. | crane grip dailies 2nd unit |
| Alfie Biddle | .. | second assistant camera |
| Ashley Bond | .. | focus puller: dailies |
| Dave Brennan | .. | electrician |
| Mike Brewster | .. | director of photography: second unit |
| Bob Bridges | .. | video assist coordinator |
| Stuart Bridges | .. | video assist operator |
| Don Brown | .. | video links operator |
| Fred Brown | .. | lighting technician |
| Jaap Buitendijk | .. | still photographer |
| Joe Buxton | .. | libra technician |
| Charley Cox | .. | electrician |
| Dean Crawford | .. | video trainee |
| David Cross | .. | best boy grip |
| Adam Dale | .. | aerial camera operator |
| Rana Darwish | .. | camera trainee: dailies |
| Robert Dibble | .. | first assistant camera |
| Graham Driscoll | .. | desk operator |
| Billy Dunn | .. | electrician |
| Paul Edwards | .. | steadicam operator: second unit |
| Jonathan England | .. | camera trainee: dailies / video assistant: dailies |
| Chuck Finch | .. | gaffer |
| Wick Finch | .. | gaffer: second unit |
| Will Finch | .. | gaffer: b camera |
| Jack Flemming | .. | grip trainee |
| Luke Andrew Haddock | .. | daily video assistant |
| Krystof Hansbury | .. | winch op |
| Phill Hardy | .. | central loader: dailies |
| Dan Hartley | .. | video assist operator |
| Des Hills | .. | russian arm precision driver |
| Darren Holland | .. | second unit: key grip |
| Andy Hopkins | .. | grip |
| Sam Horsefield | .. | electrician |
| Stuart Hurley | .. | lighting technician |
| Larry Hurt | .. | russian arm technician (uncredited) |
| Aaron Keating | .. | underwater lighting |
| Lizzie Kelly | .. | video assist operator: dailies |
| Paul Kelly | .. | lighting technician |
| Mike King | .. | rigging electrician (as Michael-Daniel-King) |
| Wayne King | .. | gaffer: underwater unit |
| Lee Knight | .. | lighting technician |
| Chris Knoll | .. | electrician |
| Mark Laidlaw | .. | electrician |
| Brad Larner | .. | first assistant camera |
| Adam Lee | .. | rigging electrician |
| Paul Legall | .. | crane technician |
| Oliver Loncraine | .. | additional first assistant camera: second unit |
| Mark Looker | .. | electrician |
| Susan MacDonald | .. | second assistant camera: dailies |
| David Mackie | .. | second assistant camera: 'b' camera, second unit |
| Vince McGahon | .. | steadicam operator: second unit |
| Christopher TJ McGuire | .. | MK-V AR operator |
| Ray Meere | .. | second assistant camera: 'a' camera, second unit |
| Billy Merrell | .. | best boy |
| Richard Merrell | .. | floor best boy |
| Nic Milner | .. | camera operator: second unit |
| David Morgan | .. | camera operator: b camera |
| Tim Morris | .. | second assistant camera: 'b' camera, main unit |
| Andy Mountain | .. | lighting console operator |
| Spencer Murray | .. | first assistant camera: dailies |
| Ron Nicholls | .. | grip |
| Tom O'Sullivan | .. | bestboy |
| Scott Parker | .. | electrician |
| Gary Parnham | .. | rigging electrician |
| David Pearce | .. | camera trainee: second unit |
| Steve Petrie | .. | video assistant |
| Mike Proudfoot | .. | camera operator: 'a' camera |
| Miles Proudfoot | .. | first assistant camera |
| Marek Radolf | .. | balloon lighting |
| Dave Ridout | .. | rigging gaffer |
| Jack Ridout | .. | electrician |
| David Rist | .. | best boy grip 2nd unit |
| Thomas Royal | .. | electrician |
| Richard B. Shean | .. | second unit: video assist |
| Ian Sinfield | .. | electrician |
| Robert Skinner | .. | trainee electrician |
| Tony Skinner | .. | rigging electrician |
| Ross Slater | .. | electrician |
| Mario Spanna | .. | additional libra head technician: second unit |
| Edward Squires | .. | lighting & electrical trainee |
| Stefan Stankowski | .. | camera operator |
| James Starr | .. | video assist |
| Tom Taylor | .. | second assistant camera |
| Andy Thomson | .. | russian arm technician |
| Neil Tomlin | .. | crane technician dailies |
| Alf Tramontin | .. | camera operator / steadicam operator |
| Tom Wade | .. | camera trainee: main unit |
| Michael White | .. | chargehand practical electrician |
| Ben Wilson | .. | electrician |
| Steve Wood | .. | electrician |
| Charlie Woodburn | .. | first assistant aerial camera operator |
| David Worley | .. | camera operator: 'b' camera |
| Sally Wright | .. | central loader: main unit / second assistant camera |
| John Bailie | .. | additional first assistant camera (uncredited) |
| Martin Frederic | .. | camera operator (uncredited) |
| Taskin Kenan | .. | video trainee (uncredited) |
| Stewart Alves | .. | animator |
| David Armitage | .. | animator |
| Terence Bannon | .. | animator |
| Nacho Barahona | .. | character animator: Animal Logic |
| Philip Barnard | .. | animator |
| Dan Blacker | .. | animator |
| Steve James Brown | .. | animator |
| Tony Castro | .. | matchmove animator |
| Paul Claessens | .. | animator |
| David Crispino | .. | senior animator: MPC |
| Brecht Debaene | .. | animator |
| Upinder Dhaliwal | .. | animator: Animal Logic |
| Anouchka Farrenc | .. | character animator: Double Negative |
| Samy Fecih | .. | animator: Double Negative |
| Julien Fourvel | .. | animator |
| Benn Garnish | .. | animator |
| Yannick Honore | .. | animator |
| James Humphries | .. | animator |
| Stephen Jolley | .. | animator |
| Mark Kennedy | .. | character animator: Rising Sun Pictures |
| Daniel Kmet | .. | animator: MPC |
| Paul Lada | .. | animator |
| Gábor Lendvai | .. | animator |
| Chris Lentz | .. | animation sequence supervisor |
| Ted Lister | .. | animator: MPC |
| Tamas Molnar | .. | animator: Animal Logic |
| Christopher Mullins | .. | animator |
| Mike Paech | .. | animator |
| Savaliya Rahul | .. | key animator |
| Fanny Roche | .. | animator |
| Liam Russell | .. | animator |
| Ricardo Silva | .. | animator |
| Joe Smith | .. | animator: MPC |
| Richard Spriggs | .. | animator |
| George Varettas | .. | animator: Animal Logic |
| Brendan Donnison | .. | voice casting |
| Ruth Key | .. | casting assistant |
| Chuck Douglas | .. | extras casting (uncredited) |
| Chloe Aubry | .. | assistant costume designer |
| Cathryn Avison | .. | embroidery designer/maker |
| Sue Bradbear | .. | costume maker |
| Kaniez Braganza | .. | costume embroiderer |
| Anthony Brookman | .. | additional costume assistant |
| Mauricio Carneiro | .. | costume illustrator |
| Sue Casey | .. | daily costume assistant |
| Kasia Chojnowska | .. | costumer |
| Rachel Chrisp | .. | costume assistant |
| Paul Colford | .. | wardrobe assistant |
| Lorraine Cooksley | .. | costume maker |
| Lee Croucher | .. | costumes |
| Maria D'Agostino | .. | costume breakdown artist: dailies |
| Richard Davies | .. | assistant costume designer |
| Fleur Enderberg | .. | costumer |
| Berel-Anne Evans | .. | costume breakdown dyer (as Beryl Anne Cohen) |
| Charlotte Finlay | .. | costume supervisor |
| Ian Foweraker | .. | costume assistant |
| Rose Goodhart | .. | costume assistant |
| Shelley Hazell | .. | costume maker |
| Imogen Hose | .. | costume maker |
| Andrew Hunt | .. | wardrobe supervisor |
| Helen Jerome | .. | costumer |
| Vivienne Jones | .. | assistant costume designer |
| Samantha Keeble | .. | wardrobe assistant |
| Sam Keyte | .. | wardrobe trainee |
| Stephen Kill | .. | leather costume fabricator |
| Oliver Koumbas | .. | Costume Driver |
| Sophie Lambe | .. | costume assistant |
| Aimee Lisby | .. | costume assistant |
| Catherine Lovett | .. | costume assistant |
| Susan MacKenzie | .. | costume maker: principal characters |
| Sharon McCormack | .. | costume cutter |
| David McLaughlin | .. | costume maker |
| Sanaz Missaghian | .. | costume coordinator |
| Neil Murphy | .. | wardrobe master |
| Kathryn Mysko Von Schultze | .. | costume maker (as Kate Frampton) |
| Shirley Nevin | .. | costumes |
| Caroline Nicholls-Weston | .. | costume breakdown artist (as Caroline Nicholls) |
| Linda O'Reilly | .. | set costumer |
| Yvonne Otzen | .. | costumer |
| Gary Page | .. | head cutter |
| Stephanie Paul | .. | costume assistant: second unit |
| Kerstin Petersson | .. | costume assistant |
| Amy Pollitt | .. | costume trainee |
| Gemma Rasmussen | .. | wardrobe trainee |
| Louise Roach | .. | costume assistant |
| Katie Robinson | .. | costume maker (as Katie Langrick) |
| Lisa Robinson | .. | costume maker |
| Christof Roche-Gordon | .. | costumes |
| Sunny Rowley | .. | wardrobe mistress |
| Naomi Rush | .. | costume breakdown artist |
| Timothy Shanahan | .. | chief costume breakdown artist |
| Lucilla Simbari | .. | costume assistant |
| Susan Smith | .. | costume maker (as Susan Adams) |
| Eleanor Spalding | .. | costume assistant: dailies |
| Rupert Steggle | .. | costume assistant |
| Barbara Sweryda | .. | costume assistant |
| Ian Tatton | .. | daily breakdown artist |
| Aaron Timperley | .. | costume assistant |
| Jo Van Schuppen | .. | costume cutter |
| Wyn Vaughan-Humphreys | .. | costume assistant |
| Cristy Watson | .. | costumer |
| Emily-Rose Yiaxis | .. | costume buyer (as Emily-Rose Da Silveira) |
| Cherri Arpino | .. | dailies manager |
| Kate Baird | .. | first assistant editor |
| Hermione Byrt | .. | first assistant editor |
| Peter Doyle | .. | supervising digital colorist |
| Alex Fenn | .. | assistant editor |
| Greg Fisher | .. | 3d colourist |
| Sam Girdler | .. | post-production assistant |
| Helen Glover | .. | post-production coordinator |
| Adam Gough | .. | assistant editor: avid |
| Suraj Gunjal | .. | stereoscopic conform editor |
| Edward Hobson | .. | senior digital cinema compressionist |
| Risto Jankkila | .. | baselight operator / data conformist |
| Henry Kemplen | .. | visual effects assistant editor |
| Philip Kloss | .. | additional editor |
| Grace Lan | .. | digital intermediate supervisor |
| Olli Leppänen | .. | baselight operator |
| Priyal Mahadik | .. | stereoscopic editor |
| Neelkanth Mapara | .. | on-line editor |
| George Mitchell | .. | editorial runner |
| Nadia Naimi | .. | 3D assistant editor |
| Gemma Nicholson | .. | assistant post-production coordinator |
| Steve O'Leary | .. | film scanner |
| Sachin Patidar | .. | editorial: Prime Focus World |
| Myles Robey | .. | second assistant editor |
| Girish Takle | .. | on-line editor |
| Vanessa Taylor | .. | baselight operator: 3D Department |
| Lee Twohey | .. | hd remastering & deliverables |
| Mark Wilkinson | .. | home video remastering |
| Catherine Williams | .. | 3D second assistant editor |
| Lee Wimer | .. | color timer |
| Maria Chamberlain | .. | colorist: dailies (uncredited) |
| Dan Dolan | .. | film recording (uncredited) |
| Clare McKee | .. | digital cinema producer (uncredited) |
| Jonathan Sykes | .. | digital intermediate data management (uncredited) |
| Peter Bardsley | .. | location assistant |
| Lucy Foulds | .. | location coordinator |
| Colin Giles | .. | location security |
| Steve Harvey | .. | location manager |
| Jon Hills | .. | location security/support |
| Sue Quinn | .. | location manager |
| Lee Robertson | .. | location manager |
| Jon Roper | .. | location assistant |
| Mark Somner | .. | unit location manager |
| Dean Glyn Morris | .. | Location Marshall (uncredited) |
| David Arch | .. | musician: piano/ celeste |
| John Barrett | .. | technical score engineer |
| Jean-Pascal Beintus | .. | orchestrator |
| Elin Carlson | .. | chorus |
| Peter Clarke | .. | music editor |
| Peter Cobbin | .. | score producer / scoring engineer |
| Chris Deacon | .. | musician: trumpet |
| Alexandre Desplat | .. | conductor |
| Michael Dore | .. | singer |
| Bruce Dukov | .. | concertmaster / musician: violin |
| Joanna Forbes | .. | singer |
| Xavier Forcioli | .. | score coordinator |
| Mai Fujisawa | .. | musician: solo vocal |
| Mark Graham | .. | head of music preparation |
| Nicholas Hooper | .. | composer: Dumbledore's Farewell |
| Robert Houston | .. | score editor |
| Aled Jenkins | .. | assistant score engineer |
| Allan Jenkins | .. | music editor |
| Randy Kerber | .. | musician: keyboards |
| Paul Kimber | .. | musician |
| Carmine Lauri | .. | orchestra leader |
| London Symphony Orchestra | .. | music performed by |
| London Voices | .. | musicians: choir |
| Steve Mair | .. | musician: double bass |
| Sue Mallet | .. | orchestra contractor |
| Russell Matthews | .. | singer |
| Jon Mattox | .. | trailer music composer |
| Gerard McCann | .. | score producer / supervising music editor |
| Stuart Morton | .. | music editor |
| Bill Newlin | .. | orchestrator |
| Sam Okell | .. | score mix engineer |
| Ben Parry | .. | choir director |
| Victor Pesavento | .. | music preparation |
| Conrad Pope | .. | orchestrator |
| Paul Pritchard | .. | assistant scoring engineer |
| Marni Sanders | .. | copyist |
| Gaby Santinelli | .. | singer: soundtrack |
| Nan Schwartz | .. | orchestrator |
| Sarah Simmonds | .. | singer |
| Sissel | .. | vocalist |
| Steven L. Smith | .. | music preparation |
| David Stal | .. | music preparation |
| Marc Stevens | .. | orchestra contractor: LSO Recordings Manager |
| Clifford J. Tasner | .. | orchestrator |
| James Thatcher | .. | musician: French horn |
| Kirsty Whalley | .. | music editor |
| John Williams | .. | music composer: Hedwig's theme and other cues from Harry Potter and the Philosopher's Stone and Harry Potter and the Chamber of Secrets |
| Alejandro de la Llosa | .. | orchestrator (uncredited) |
| Aleksandar Dimitrijevic | .. | composer: trailer music (uncredited) |
| Dave Foster | .. | music preparation (uncredited) |
| Nigel Birtchnell | .. | driver: Ms Watson |
| Tony Cooper | .. | unit driver |
| Paul Deluce | .. | minibus driver |
| Warren Deluce | .. | Driver to all Cast |
| Mark Dilliway | .. | minibus coordinator |
| Ashley Hollebone | .. | picture vehicle technician |
| Nick Kenyon | .. | driver: cast |
| Louise MacLeod | .. | 4x4 driver |
| Jason Mortlock | .. | unit driver |
| David Rosenbaum | .. | transportation coordinator |
| Emma Savin | .. | 4x4 driver |
| Clive Shaw | .. | unit driver |
| Harry Taylor | .. | driver: ms helena bonham carter |
| Bill Walker | .. | driver: cast |
| Alan Watts | .. | unit driver |
| Ian Yea | .. | facilities driver |
| Nicholas Akinnibousun | .. | set production assistant |
| Lucinda Barker | .. | assistant: Ms. Barron |
| Celia Barnett | .. | specialist researcher |
| Michael Berendt | .. | personal assistant to Mr. Yates |
| Vicky Bishop | .. | assistant production coordinator |
| Sam Blackmore | .. | floor runner |
| Susan Bliss | .. | post script services |
| Sarah Boezalt | .. | production assistant |
| Ryan Bohan | .. | production secretary |
| Valentina Borfecchia | .. | set production assistant |
| Rachel Bucknor | .. | paramedic |
| Ken Burry | .. | security: second unit / set security |
| Katie Byles | .. | assistant production coordinator |
| Brett Carter | .. | stand-in |
| Shoky Carter | .. | floor runner |
| Nicky Coats | .. | visual effects accountant |
| Mark Cockren | .. | set assistant |
| Rosanne Coker | .. | base runner: second unit |
| Rosie Coker | .. | base runner |
| Emily Cordier | .. | production runner |
| Maria Cork | .. | special make-up effects |
| Dean Crawford | .. | production assistant / trainee: video |
| Joe Crossley | .. | Finance |
| Bex Dark | .. | set production assistant |
| Vanessa Davies | .. | head: Harry Potter production publicity |
| Tony Davis | .. | production coordinator: second unit |
| Filippo Delaunay | .. | stand-in |
| Dionbowes | .. | Security Consultant |
| Emma Dunleavy | .. | set production assistant |
| Illtud Llyr Dunsford | .. | liaison: film commission |
| Colin Dye | .. | maintenance |
| Marilyn Edmond | .. | production assistant: additional photography |
| Karen Fayerty | .. | key nurse |
| Amanda Fernie | .. | assistant accountant |
| Alastair Ferris-Leak | .. | production operations |
| Stephen Finch | .. | electrics coordinator |
| Lucia Foster Found | .. | aerial operations coordinator |
| Charlotte Gamble | .. | production assistant (as Charlotte Bushnell) |
| Kate Garbett | .. | production coordinator: second unit |
| Holly Gardner | .. | set production assistant |
| Alex Gavigan | .. | set production assistant: additional photography |
| Gary Gero | .. | chief animal trainer |
| Richard Gibbs | .. | catering supervisor |
| Charlie Gibson | .. | work experience runner |
| Sam Girdler | .. | set production assistant: dailies |
| Lucinda Glenn | .. | production manager: Animal Logic |
| Joe Halford | .. | maintenance |
| Anna Hall | .. | producer coordinator |
| Rebecca Hall | .. | additional continuity assistant: dailes |
| Natalie Hallam | .. | adr voice artist |
| Alison Harris | .. | runner: dailies |
| Nora Henderson | .. | set production assistant: assistant director department |
| Milo Hewitt | .. | set production assistant: dailies |
| Alexandra Hind | .. | double |
| Adam Holmes | .. | set assistant |
| Natasha Hook | .. | unit nurse |
| Nick Hore | .. | recruiter |
| Jason Huberman | .. | sr. estimator |
| Gary Huddless | .. | additional floor runner |
| Dave Jackson | .. | unit paramedic |
| Blake Johnson | .. | researcher |
| Chaz Johnson | .. | set production assistant |
| Alexandra Jordan | .. | production assistant (as Alexandra Lavis-Jordan) |
| David Keadell | .. | set assistant |
| Karl King | .. | floor runner |
| Alex Klien | .. | production associate |
| Patricia Kung | .. | senior recruiter |
| Nick Laurence | .. | floor runner |
| Gareth Lewis | .. | set production assistant |
| Caroline Lovelace | .. | assistant: Mr. Yates |
| Lucy Lund | .. | production assistant |
| Delphi Lythgoe | .. | floor runner: dailies |
| Robert Madden | .. | set production assistant (as Rob Madden) |
| Nicoletta Mani | .. | assistant script supervisor |
| Sharon Mansfield | .. | script supervisor: second unit |
| Lara Marsden | .. | additional floor runner |
| Rosie McArthur | .. | production assistant |
| Suzanne McGeachan | .. | script supervisor: B unit |
| Sarah McKenna | .. | personal assistant to cast |
| Oliver Mitchell | .. | accounts assistant |
| Zoe Morgan Chiswick | .. | additional set production assistant |
| Gary Nixon | .. | production accountant |
| Annabel Norbury | .. | floor runner |
| Roxanne Odd | .. | production assistant |
| Alfie Oldman | .. | production assistant |
| Anji Oliver | .. | producer coordinator |
| Richard Osborne | .. | stand-in: Matthew Lewis |
| Andy Parry | .. | safety advisor |
| Roberto Perez Antolin | .. | marketing executive |
| Shehawnee Prescod | .. | publicist |
| Ben Quirk | .. | floor runner |
| Jason Rickwood | .. | set runner |
| Linda Jayne Roberts | .. | additional on-set medic |
| Amy Robertson | .. | unit publicist |
| Myles Robey | .. | production runner: pre-production |
| Jamie Roche | .. | production assistant (as Jamie Roach) |
| Jay Rosenwink | .. | assistant to financial controller |
| Will Samuelson | .. | helicopter camera pilot / helicopter pilot (as William Samuelson) |
| Christine Samways | .. | assistant accountant |
| Paula Sargeant | .. | assistant accountant |
| Rick Schirmer | .. | social marketing |
| Steve Scott | .. | paramedic |
| Hamish Secrett | .. | animal trainer |
| Ty Senior | .. | modeller |
| Rohit Sharma | .. | production coordinator |
| Dave Shaw | .. | diving coordinator |
| Adam C. Sherer | .. | office production assistant |
| Toby Spanton | .. | set production assistant: additional elements unit |
| Brian Steele | .. | rigger |
| Vaughn Stein | .. | floor runner |
| Andy Stephens | .. | aerial operations manager |
| Penelope Taylor | .. | assistant: Mr Yates |
| Katharine Tidy | .. | home economist |
| Rob Townsend | .. | fire safety officer |
| Olive Uniacke | .. | Base Runner |
| Louise Van Hamme | .. | assistant accountant |
| Richard Wild | .. | weather consultant |
| Lewis Will | .. | film extra: Not Credited |
| Janet Willis | .. | head of education |
| Oliver Wiseman | .. | assistant: Mr. Heyman |
| Winnie Wishart | .. | production coordinator |
| Jamie Wolpert | .. | production assistant: Book Consultant |
| Will Wood | .. | publicist for Matthew Lewis |
| Anna Worley | .. | script supervisor |
| Kiri Bloom | .. | stand-in (uncredited) |
| Lukas DiSparrow | .. | stand-in: James Potter (uncredited) |
| Gabriele Fritz | .. | Nymphadora Tonks Picture Double (uncredited) |
| Barnaby Gorton | .. | portrait artist (uncredited) |
| Philip Harvey | .. | stand-in: Josh Herdman (uncredited) |
| Ben Hope | .. | security (uncredited) |
| Uschi Hugo | .. | voice dubbing: Kelly Macdonald (uncredited) |
| Cameron Lawther | .. | set production assistant (uncredited) |
| Ryan Locke | .. | head of security (uncredited) |
| Ian Mitchell | .. | stand-in/picture double: Alan Rickman David Thewlis (uncredited) |
| Richard Osborne | .. | double: Matthew Lewis (uncredited) |
| Benjamin Perkins | .. | chaperone (uncredited) |
| Natasha Phelan | .. | floor runner: additional photography (uncredited) |
| Bernd Rumpf | .. | voice dubbing: Alan Rickman (uncredited) |
| Adam Sopp | .. | adr loop group (uncredited) |
| Sam Weeden | .. | set production assistant (uncredited) |
| Simon Wilkinson | .. | digital and film post production (uncredited) |
| Constance Buccafurri | .. | additional thanks / grateful thanks |
| Ann Koska | .. | the producers wish to thank for their assistance: Sally King Ltd |
| Harry Potter and the Deathly Hallows – Part 2 | |
|---|---|
| Directed by | David Yates |
| Produced by | |
| Screenplay by | Steve Kloves |
| Based on | Harry Potter and the Deathly Hallows by J. K. Rowling |
| Starring | |
| Music by | Alexandre Desplat |
| Cinematography | Eduardo Serra |
| Edited by | Mark Day |
| Distributed by | Warner Bros. Pictures |
Release date |
|
| 130 minutes[1] | |
| Country |
|
| Language | English |
| Budget | $250 million (Shared with Part 1)[2][3] |
| Box office | $1.342 billion[4] |
Harry Potter and the Deathly Hallows – Part 2 is a 2011 fantasy film directed by David Yates and distributed by Warner Bros. Pictures.[4] It is the second of two cinematic parts based on J. K. Rowling's 2007 novel of the same name.[5] The film, which is the eighth and final instalment in the Harry Potter series, was written by Steve Kloves and produced by David Heyman, David Barron, and Rowling. The story continues to follow Harry Potter's quest to find and destroy Lord Voldemort's Horcruxes in order to stop him once and for all.
The film stars Daniel Radcliffe as Harry Potter, alongside Rupert Grint and Emma Watson as Harry's best friends, Ron Weasley and Hermione Granger. Principal photography began on 19 February 2009, and was completed on 12 June 2010,[6] with reshoots taking place in December 2010, more than ten years after filming started on the first instalment of the series. Part 2 was released in 2D, 3-D and IMAX cinemas worldwide from 13–15 July 2011, and is the only Harry Potter film to be released in 3-D.[7]
The film became a commercial success and one of the best reviewed films of 2011, with praise for the acting, Yates's direction, musical score, visual effects, cinematography, action sequences, and the satisfying conclusion of the saga.[8][9][10] At the box office, Part 2 claimed the worldwide opening weekend record, earning $483.2 million, as well as setting opening day and opening weekend records in various countries. Part 2 grossed over $1.3 billion worldwide and became the third-highest-grossing film of all time, as well as the highest-grossing film of 2011.[11] As of 2019, it is the 11th-highest-grossing film of all time, the highest-grossing film in the Harry Potter series, as well as in the Wizarding World franchise, and the ninth film to gross over $1 billion.[12] It is also the highest-grossing film of Warner Bros. and its parent company WarnerMedia.
The Blu-ray and DVD sets were released on 11 November 2011 in the United States[13] and on 2 December 2011 in the United Kingdom.[14] The film was also released in the Harry Potter: Complete 8-Film Collection box set on DVD and Blu-ray, which included all eight films and new special features. Part 1 and Part 2 were released as a combo pack on DVD and Blu-ray on 11 November 2011 in Canada.
The film won several awards and was nominated for many more, including three nominations at the Academy Awards for Best Art Direction, Best Makeup and Best Visual Effects.
After burying Dobby, Harry Potter asks the goblin Griphook to help him, Ron Weasley, and Hermione Granger break into Bellatrix Lestrange's vault at Gringotts bank, suspecting a Horcrux may be there. Griphook agrees in exchange for the Sword of Gryffindor. Wandmaker Ollivander tells Harry that two wands taken from Malfoy Manor belonged to Bellatrix and Draco Malfoy, though Malfoy's has changed its allegiance to Harry.
In the vault, Harry discovers the Horcrux is Helga Hufflepuff's cup. He retrieves it, but Griphook snatches the sword and abandons the trio, leaving them cornered by security. The three release the dragon guardian and flee on its back. Harry sees a vision of Lord Voldemort killing goblins including Griphook, and learns Voldemort is aware of the theft. Harry also realises there is a Horcrux at Hogwarts somehow connected to Rowena Ravenclaw. The trio apparate into Hogsmeade, where Aberforth Dumbledore reluctantly instructs the portrait of his deceased younger sister Ariana to fetch Neville Longbottom, who leads the trio through a secret passageway into Hogwarts.
Severus Snape hears of Harry's return and warns staff and students of punishment for aiding Harry. Harry confronts Snape, who flees after Minerva McGonagall challenges him to a duel. McGonagall gathers the Hogwarts community for battle. At Luna Lovegood's insistence, Harry speaks to Helena Ravenclaw's ghost, who reveals that Voldemort performed 'dark magic' on her mother's diadem, located in the Room of Requirement. In the Chamber of Secrets, Hermione destroys the Horcrux cup with a Basilisk fang. In the Room of Requirement, Draco, Blaise Zabini and Gregory Goyle attack Harry, but Ron and Hermione intervene. Goyle casts a Fiendfyre curse; unable to control it, he is burned to death while Harry and his friends save Malfoy and Zabini. Harry stabs the diadem with the Basilisk fang, and Ron kicks it into the Room of Requirement to be destroyed. As Voldemort's army attacks, Harry, seeing into Voldemort's mind, realises that Voldemort's snake Nagini is the final Horcrux. After entering the boathouse, the trio witness Voldemort telling Snape that the Elder Wand cannot serve Voldemort until Snape dies; he then orders Nagini to kill Snape. Before dying, Snape tells Harry to take his memories to the Pensieve. Meanwhile, Fred Weasley, Remus Lupin, and Nymphadora Tonks are killed in the chaos at Hogwarts.
Harry learns from Snape's memories that while Snape despised Harry's late father James, who bullied him, he loved his late mother Lily. Following her death, Snape worked with Albus Dumbledore to protect Harry from Voldemort due to his love for Lily. Harry also learns that Dumbledore was dying and wished for Snape to kill him, and that the Patronus doe he saw in the woods that led him to the sword was conjured by Snape. Harry discovers that he himself became a Horcrux when Voldemort originally failed to kill him; he must die to destroy the piece of Voldemort's soul within himself. Harry surrenders himself to Voldemort in the Forbidden Forest. Voldemort casts the Killing Curse upon Harry, who finds himself in limbo. Dumbledore's spirit meets him and explains that the part of Voldemort within Harry was killed by Voldemort's curse. Harry returns to his body, determined to defeat Voldemort.
Voldemort announces Harry's apparent death to everyone at Hogwarts and demands their surrender. As Neville gives a defiant response and draws the sword from the Sorting Hat, Harry reveals he is still alive; the Malfoys and many Death Eaters abandon Voldemort. While Harry confronts Voldemort in a duel throughout the castle, Molly Weasley kills Bellatrix in the Great Hall and Neville decapitates Nagini, making Voldemort mortal. Harry and Voldemort's fight ends with Voldemort's own Killing Curse rebounding and obliterating him. After the battle, Harry explains to Ron and Hermione that the Elder Wand recognised him as its true master after he disarmed Draco, who had earlier disarmed its previous owner, Dumbledore. Harry destroys the Elder Wand rather than claim it.
Nineteen years later, Harry, Ginny Weasley, Ron, Hermione, and Draco proudly watch their own children leave for Hogwarts at King's Cross station.
The roles of several minor characters were recast or replaced for this film. For example, Ciarán Hinds assumed the role of Aberforth Dumbledore, Albus Dumbledore's brother and bartender of the Hog's Head inn.[15]
In the book, a significant number of characters who have not appeared since some of the earlier novels, reappear to defend Hogwarts in the large, final battle.[16] Director David Yates said, 'I want to get them all back', referring to his desire to bring back as many actors who have appeared in the franchise as possible for the climactic battle sequence in the film. Sean Biggerstaff, Jim Broadbent, Gemma Jones, Miriam Margolyes, and Emma Thompson reprise their roles from earlier films briefly during the battle scene. For the final scene in the film which is set nineteen years after the film's main story, the actors playing the main characters were made to look older through the use of makeup and special effects.[17] After the initial look of the actors' aged appearances leaked onto the Internet, some fans reacted by opining that Radcliffe and Grint looked too old, while Watson did not appear significantly different at all. After primary filming concluded in June 2010, Yates examined the footage, and concluded that the problem could not be resolved through editing or CGI, and had the sequence re-shot that December, with redesigned makeup.[18]
Part 2 was filmed back-to-back with Harry Potter and the Deathly Hallows – Part 1 from 19 February 2009 to 12 June 2010,[19][20] with reshoots for the epilogue scene taking place at Leavesden Film Studios on 21 December 2010.[21] Director David Yates, who shot the film with director of photographyEduardo Serra, described Part 2 as 'operatic, colourful and fantasy-oriented', a 'big opera with huge battles.'[22][23]
Originally set for a single theatrical release, the idea to split the book into two parts was suggested by executive producer Lionel Wigram due to, what David Heyman called, 'creative imperative'. Heyman initially responded negatively to the idea, but Wigram asked, 'No, David. How are we going to do it?'. After rereading the book and discussing it with screenwriter Steve Kloves, he agreed with the division.[24]
In an interview with Architectural Digest, production designer Stuart Craig remarked on creating sets for Part 2. Of the Gringotts Wizarding Bank, he said, 'our banking hall, like any other, is made of marble and big marble columns. And it has great strength. The fact that the goblins are the bankers and tellers at the counter helps that feeling of grandeur and solidity and the big proportions. That was part of the fun of the set: we exaggerated the size of it, we exaggerated the weight of it, and we even exaggerated the shine of the marble.' About the multiplication of treasure in one of the bank's vaults, he noted, 'We made literally thousands of pieces for it and vacuum metallised them to be shiny gold and silver. John Richardson, the special effects supervisor, made a floor that was capable of rising on different levels, so there was kind of a physical swelling of the treasure on it.'[25]
Craig spoke about the Battle of Hogwarts to Art Insights Magazine, saying that 'the great challenge is the destruction of Hogwarts. The sun rising behind the smoke .. the massive remains of destroyed walls, the entrance hall, the entrance of the Great Hall, part of the roof of the Great Hall completely gone, so yeah. A big challenge there and an enjoyable one really – maybe it helped me and the guys in the art department sort of prepare for the end .. we demolished it before we had to strike it completely.' When asked about the King's Cross scene near the end of the film, Craig said, 'We experimented a lot, quite honestly. I mean it was quite a protracted process really but we did experiment the sense of it being very burnt out very very kind of white – so we experimented with underlit floors, we experimented with different kind of white covering everything: white paint, white fabric, and the cameraman was involved in how much to expose it, and a series of camera tests were done, so we got there but with a great deal of preparation and research.'[26]
Visual effects supervisor Tim Burke said that 'It was such a major job to stage the Battle of Hogwarts, and we had to do it in different stages of production. We had shots with complex linking camera moves from wide overviews, to flying into windows and interior spaces. So, we took the plunge at the end of 2008, and started rebuilding the school digitally with Double Negative.' He went on to say that 'It's taken two years – getting renders out, texturing every facet of the building, constructing interiors to see through windows, building a destruction version of the school. We can design shots with the knowledge that we have this brilliant digital miniature that we can do anything with. With a practical Hogwarts, we would have shot it last summer and been so tied down. Instead, as David Yates finds the flow and structure, we are able to handle new concepts and ideas.'[27]
On the quality of 3-D in film, Burke told Los Angeles Times, 'I think it's good, actually. I think people are going to be really pleased. I know everyone's a little nervous and sceptical of 3-D these days, but the work has been done very, very well. We've done over 200 shots in 3-D and in the visual effects as well, because so much of it is CG, so the results are very, very good. I think everyone's going to be really impressed with it, actually.' Producer David Heyman spoke to SFX magazine about the 3-D conversion, saying that 'The way David Yates is approaching 3-D is he's trying to approach it from a character and story point of view. Trying to use the sense of isolation, of separation that sometimes 3-D gives you, to heighten that at appropriate moments. So we're approaching it in a storytelling way.'[28][29]
In 2012, the visual effects in the film were nominated for an Oscar. The film also won the BAFTA Award for Best Special Visual Effects at the 65th BAFTA Awards in 2012.
It was confirmed that the composer for Part 1, Alexandre Desplat, was set to return for Part 2.[30] In an interview with Film Music Magazine, Desplat stated that scoring Part 2 is 'a great challenge' and that he has 'a lot of expectations to fulfill and a great deal of work' ahead of him.[31] In a separate interview, Desplat also made note that John Williams' themes will be present in the film 'much more than in part one.'[32] The soundtrack for the film was nominated for Best Score Soundtrack for Visual Media at the 54th Annual Grammy Awards.[33]
In March 2011, the first preview for Deathly Hallows – Part 2 was released revealing new footage and new interviews from the starring cast.[34] The first United States poster was released on 28 March 2011, with the caption 'It All Ends 7.15' (referring to its international release date).[35] On 27 April 2011 the first theatrical trailer for Part 2 was released. The trailer revealed a range of new and old footage.[36] The IMAX trailer for the film was released with IMAX screenings of Pirates of the Caribbean: On Stranger Tides on 20 May 2011. During the MTV Movie Awards on 5 June 2011, Emma Watson presented a sneak peek of the film.[37]
On 2 April 2011, a test screening of the film was held in Chicago, with director David Yates, producers David Heyman and David Barron and editor Mark Day in attendance.[38] The film had its world premiere on 7 July 2011 at Trafalgar Square in London.[39] The United States premiere was held in New York City at Lincoln Center on 11 July 2011.[40] Although filmed in 2-D, the film was converted into 3-D in post-production and was released in both RealD 3D and IMAX 3D.[41]
The film was originally scheduled to open in Indonesia on 13 July 2011.[42] The Indonesian government levied a new value added tax on royalties from foreign films in February 2011, causing three film studios, including Warner Brothers, to halt the importation of their films, including Harry Potter and the Deathly Hallows – Part 2 into the country.[42] The film was not released to cinemas in the Kingdom of Jordan due to recently enforced taxes on films. It had not been premiered in the Kingdom As of 13 August 2011.[43]
On 10 June, one month before the film's release, tickets went on sale.[44] On 16 June 2011, Part 2 received a 12A[45] certificate from the British Board of Film Classification, who note that the film 'contains moderate threat, injury detail and language', becoming the only Harry Potter film to receive a warning for 'injury detail'. At midnight 15 July, Part 2 screened in 3,800 cinemas. In the United States, it played in 4,375 cinemas, 3,100 3D cinemas and 274 IMAX cinemas, the widest release for an IMAX, 3D and a Harry Potter film.
Bewafa sanam mp3 songs. Harry Potter and the Deathly Hallows – Part 2 was released on 11 November 2011 in the United States in four formats: a one-disc standard DVD, a two-disc standard DVD special edition, a one-disc standard Blu-ray, and three-Disc Blu-ray 2D Combo Pack (Blu-ray + DVD + Digital Copy).[13] In the United Kingdom and Ireland, the film was released on 2 December 2011 in three formats: a two-disc standard DVD, a three-disc Blu-ray 2D Combo Pack (Blu-ray + DVD + Digital Copy), and a four-disc Blu-ray 3D Combo Pack (Blu-ray 3D + Blu-ray 2D + DVD + Digital Copy).[14] The film set the record for fastest-selling pre-order DVD and Blu-ray on Amazon.com, just two days into the pre-order period.[46]
Deathly Hallows – Part 2 sold 2.71 million Blu-ray units ($60.75 million) in three days (Friday to Sunday).[47] It also sold 2.83 million DVD units ($42.22 million) during its debut.[48] By 18 July 2012 it had sold 4.71 million Blu-ray units ($99.33 million)[49] and 6.47 million DVD units ($88.96 million).[50]
On 28 March 2017, Deathly Hallows – Part 2 made its Ultra HD Blu-ray debut, along with Deathly Hallows - Part 1, The Half-Blood Prince, and Order of the Phoenix.
| Record item | Record detail |
|---|---|
| Opening weekend (US/Canada) | $169,189,427 |
| Summer opening weekend (US/Canada) | $169,189,427 |
| Opening weekend for a 3-D film (US/Canada)[51] | $169,189,427 |
| Opening weekend – IMAX (US/Canada) | $15,200,000 |
| Opening weekend – IMAX (worldwide) | $23,200,000 |
| Fastest to $1 billion (worldwide)[52] | 19 days |
| Biggest IMAX midnight release (US/Canada)[53] | $2,000,000 |
| Opening weekend (worldwide) | $483,189,427 |
| Opening weekend outside the United States and Canada[54] | $314,000,000 |
| Opening day & Single day (US/Canada) | $91,071,119 |
| Biggest midnight release (US/Canada)[55] | $43,500,000 |
| Highest gross in advance ticket sales (US/Canada) | $32,000,000 |
| Widest 3-D launch (US/Canada)[56] | 3,100+ locations |
| Highest-grossing film of 2011[57] | $1,328,111,219 |
| July Opening (US/Canada)[58] | $169,189,427 |
| Highest-grossing fantasy live action film[59] | $381,011,219 |
Harry Potter and the Deathly Hallows – Part 2 grossed $381,011,219 in the United States and Canada, along with $960,500,000 in other markets, for a worldwide total of $1,341,511,219. In worldwide earnings, it is currently the eleventh-highest-grossing film, the highest-grossing 2011 film,[12] the highest-grossing film in the Harry Potter franchise and the highest-grossing book adaptation.It also became the highest-grossing film for the Warner Brothers studio[11]Part 2 set a worldwide opening-weekend record with $483.2 million.[54][60] It set a worldwide IMAX opening-weekend record with $23.2 million.[61][62] In worldwide earnings, it is the fastest film to reach $400 million (5 days), $500 million (6 days), $600 million (8 days), $700 million (10 days), $800 million (12 days), $900 million (15 days), and $1 billion (19 days, tied with Avatar and Marvel's The Avengers).[63][64] On 31 July 2011 (its 19th day of release), it became the ninth film in cinematic history and the second in 2011 to surpass the $1-billion mark.[65]
In the US and Canada, it is the 27th-highest-grossing film,[66] the highest-grossing 2011 film,[67] the highest-grossing Harry Potter film, the highest-grossing children's book adaptation,[68] the highest-grossing fantasy/live action film[69] and the 13th-highest-grossing 3-D film.[70]Box Office Mojo estimates that the film sold more than 40 million tickets.[71] It set new records in advance ticket sales with $32 million,[72][73] in its midnight opening with $43.5 million[55] and in its IMAX midnight opening with $2 million.[53][74] It grossed $91.1 million on its opening Friday, setting a Friday-gross record as well as single- and opening-day records.[75] It also set an opening-weekend record with $169.2 million, an IMAX opening-weekend record of $15.2 million and opening-weekend record for a 3-D film.[76][77][78] Although 3-D enhanced the film's earning potential, only 43% of the opening gross came from 3-D venues. This means only $72.8 million of the opening-weekend grosses originated from 3-D showings, the second-largest number at the time.[79]
Cheez it expiration code. It also scored the largest three-day[80] and four-day gross,[81][82] the sixth-highest-grossing opening week (Friday to Thursday) with $226.2 million,[83] and even the seventh-largest seven-day gross.[84] It fell precipitously by 84% on its second Friday[85] and by 72% during its second weekend overall, grossing $47.4 million, which is the largest second-weekend drop for any film that opened to more than $90 million.[86] Still, it managed to become the fastest-grossing film in the franchise and also achieved the second-largest ten-day gross ever at the time (now eighth).[87] In its third weekend, the movie surpassed Harry Potter and the Philosopher's Stone to become the highest-grossing film of the franchise in the US & Canada.[88]
Harry Potter and the Deathly Hallows – Part 2 is the third-highest-grossing film, the highest-grossing 2011 film, the highest-grossing Warner Bros. film and the highest-grossing Harry Potter film.[89] On its opening day, Deathly Hallows – Part 2 grossed $43.6 million from 26 countries, placing it 86% ahead of Deathly Hallows – Part 1 and 49% higher than Half-Blood Prince. From Wednesday until Sunday, on its 5-day opening weekend, it set an opening-weekend record outside the US and Canada by earning $314 million.[90][91] The average 3D share of Deathly Hallows – Part 2 was 60%, which was lower than the 3D share for Transformers: Dark of the Moon (70%) and On Stranger Tides (66%).[92] On its second weekend, it held to the top spot, but fell precipitously by 62% to $120.2 million despite minor competition. This amount is about the same as what On Stranger Tides made from its second weekend ($124.3 million).[93]Deathly Hallows – Part 2 was in first place at the box office outside North America for four consecutive weekends.[94][95]
In the United Kingdom, Ireland and Malta it brought in a record $14.8 million on its first day.[96] On its opening weekend it earned £23,753,171 in the United Kingdom, marking the second largest opening weekend in 2011. Its performance did not surpass that of Harry Potter and the Prisoner of Azkaban in 2004, which earned £23,882,688 on its opening weekend.[97] In United States dollars, its opening weekend was an all-time record $38.3 million, ahead of Harry Potter and the Order of the Phoenix ($33.5 million).[98] The film also achieved the largest single-day gross on its first Saturday[97] and the largest opening week with $57.6 million.[99] The film made a total of £73.1 million ($117.2 million) at the United Kingdom box office,[100] marking the fifth-highest-grossing film.[101] It also is the highest-grossing film of 2011 and highest-grossing Harry Potter film.[102]
Deathly Hallows – Part 2 also set opening-day records in Mexico ($6.1 million), Australia ($7.5 million), France and the Maghreb region ($7.1 million), Italy ($4.6 million), Sweden ($2.1 million), Norway ($1.8 million), Denmark ($1.6 million), the Netherlands ($1.7 million), Belgium ($1.4 million), the Czech Republic ($2.0 million), Argentina ($961,000), Finland ($749,000) and Hong Kong ($808,000).[53][103][104][105] It also established new Harry Potter opening-day records in Japan ($5.7 million), Brazil ($4.4 million), Russia and the CIS ($4.2 million), Spain ($3.3 million) and Poland ($1.25 million).[96]
Deathly Hallows – Part 2 set opening weekend records in India with ₹15 crores ($3.41 million),[106] Australia with $19.6 million, New Zealand with $2.46 million,[107] Brazil with $11. million,[108] Scandinavia with $18.5 million, Mexico with $15.9 million[108][109] and many other Latin American and European countries.[53][110]
On the review aggregation website Rotten Tomatoes, the film has an approval rating of 96% based on 322 reviews, with an average rating of 8.32/10. The site's critical consensus reads, 'Thrilling, powerfully acted, and visually dazzling, Deathly Hallows Part II brings the Harry Potter franchise to a satisfying – and suitably magical – conclusion.'[111] On Metacritic, which assigns a normalised rating to reviews, the film achieved an average of 87 out of 100, based on 41 critics, indicating 'universal acclaim'.[112] The film received a score of 93 from professional critics at the Broadcast Film Critics Association; it is the organisation's highest-rated Harry Potter film.[113] On CinemaScore, audiences gave the film an average grade of 'A' on an A+ to F scale.[114]
Philip Womack in The Daily Telegraph commented, 'This is monumental cinema, awash with gorgeous tones, and carrying an ultimate message that will resonate with every viewer, young or old: there is darkness in all of us, but we can overcome it.' He further expressed that David Yates 'transmutes [the book] into a genuinely terrifying spectacle.'[115] Another review was released on the same day from Evening Standard, who rated the film 4 out of 5 and stated 'Millions of children, parents, and those who should know better won't need reminding what a Horcrux is – and director David Yates does not let them down. In fact, in some ways, he helps make up for the shortcomings of the final book.'[116] The Daily Express remarked that the film showcases 'a terrifying showdown that easily equals Lord of the Rings or Star Wars in terms of a dramatic and memorable battle between good and evil.'[117]
Roger Ebert of the Chicago Sun-Times gave the film three and a half out of four and said, 'The finale conjures up enough awe and solemnity to serve as an appropriate finale and a dramatic contrast to the lighthearted (relative) innocence of Harry Potter and the Sorcerer's Stone all those magical years ago.'[118]Mark Kermode from the BBC said that the film is a 'pretty solid and ambitious adaptation of a very complex book', but he criticised the post-converted 3D.[119]Christy Lemire of the Associated Press gave the film three and a half out of four and said 'While Deathly Hallows: Part 2 offers long-promised answers, it also dares to pose some eternal questions, and it'll stay with you after the final chapter has closed.'[120]Richard Roeper, also from the Chicago Sun-Times, gave the film an A+ rating and said that 'this is a masterful and worthy final chapter in one of the best franchises ever put to film.'[121]
In one of the few negative reviews, Brian Gibson of Vue Weekly described the film as 'deadly dull' and a 'visual overstatement'.[122] Other reviews criticised the decision to split the novel into two cinematic parts, with Ben Mortimer of The Daily Telegraph writing 'Deathly Hallows – Part 2 isn't a film. It's HALF a film .. it's going to feel somewhat emotionless.' Other critics wrote of the film's runtime; Alonso Duralde from The Wrap said, 'If there's one substantial flaw to the film, it's that this cavalcade of people and places and objects can barely fit in the 130-minute running time.'[123] Rebecca Gillie from The Oxford Student gave the film two out of five and wrote, 'at the end of [the film] there is nothing that stays with you once you've left the cinema.'[124]
The film won a number of accolades and nominations. Harry Potter and the Deathly Hallows – Part 2 was nominated for Best Art Direction, Best Makeup, and Best Visual Effects at the 84th Academy Awards.[125] At the 65th BAFTA awards, the film won the Best Visual Effects award, and was nominated in the Best Sound, Best Production Design and Best Make-up and Hair categories.[126]
The film was nominated for Best Score Soundtrack for Visual Media at the 54th Annual Grammy Awards in 2012.[127] It won a Screen Actors Guild Award for Outstanding Performance by a Stunt Ensemble in a Motion Picture.[128] The film scored 10 nominations at the annual Saturn Awards, Winning for Best Fantasy Film.[129] In the 2011 Scream Awards, the film received a total of 14 nominations, and won in the Best Scream-Play, Best Fantasy Actor (Daniel Radcliffe), Best Villain (Ralph Fiennes), Best F/X, and Holy Sh*t scene of the Year categories.[130]
| List of awards and nominations | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
Warner officials say shooting parts 1 and 2 of 'Deathly Hallows' (the second part comes out in July) kept cost below the more than $250 million that was spent on 2009's 'Half-Blood Prince.'
Parts 1 and 2 of 'Deathly Hallows' were filmed at a cost of roughly $250 million, essentially giving Warner Bros. a license to print money off the profits it will bank over the upcoming weekend.
..expand the screen adaptation of Harry Potter and the Deathly Hallows and release the film in two parts.
| Wikimedia Commons has media related to Harry Potter and the Deathly Hallows (film). |
| Wikiquote has quotations related to: Harry Potter and the Deathly Hallows – Part 2 |